source: intravino
Sunday, February 13, 2011
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We would like to save a Daverio Culture
After the ineffectiveness of Bondi, a new trajectory. Without ideology
Edward Caprino
What a great country, Germany. Home of music, philosophy, theology. But even the law. And the people of this Charter provides for a fundamental institution of civilization: the constructive no-confidence. A government falls - in Parliament - when a motion of no confidence and yet it foreshadows a new majority (or a simple change of executive leadership). No crisis in the dark. All the sunshine and without unnecessary vacatio. If this applies to a government, much more can and must apply to a Minister. Judgement Day is approaching for the Minister Sandro Bondi, a man of government - perhaps go wrong - it was - until now - too much concentrated in the work within his party and less in the ministry - after Treasury - should be the most important in Italy. Instead the state of decay of this important sector of our nation - envied around the world - is more than evident.
The cries of alarm - not only of many intellectuals, but of the work force every day fighting the windmills - have been repeated in recent times. The misunderstanding with the minister Bondi Whole sectors of Italian culture - film and theater, for example - are made in the news. The absence of important moments of Italian culture - shows the Venice Film Festival, "First" of the scale - can not be justified (although there were ongoing votes in the Senate). The first hypothesis is the institutional presence of boos and protests. Are the risks of the trade. Honors, but also obligations.
If there is a need for a changing of the guard, with this article is intended to indicate an identikit ideal substitute: a passionate man of culture, actually omnivorous, able to communicate to a wider audience, full of genius, taste, sympathy, ability to relations with the world (including the gift of foreign languages). A brilliant and eccentric man - even in dress - capable of brilliant insights but far from the scene of shots sgarbiana memory. Who can be the Mister X? Philippe Daverio. The man already has experience of driving a Department of Culture - Milan and Palermo - is a passionate communicator and able to enthuse even the most remote in the world of art (just look at its transmission Passepartout conduction and its brilliant for the newborn Rai5). His style is elegant and eccentric not go unnoticed among his colleagues (recalling Andre Malreaux).
is a genuine European - or rather, Alsatian - and therefore at the heart of our continent. A man respectful and attentive at work - often conducted without means - of the various superintendents and directors of museums. In his broadcasts often has been able to make the most of the work of these true servants of the state. A man with his visions and intuitions would be able to give new impetus to the whole field of Italian culture, ready to dialogue with everyone, without exception, leaving aside ideology, or rather preconceived ideas.
Davenport would be from outside the institutional culture can give a stimulus to this sector so important to Italian life. Alberto Ronchey as it was and how it was - from the inside - Antonio Paolucci. Is this a dream, or rather madness? Perhaps, but even with this "ingenious" that a country can rise again.
The cries of alarm - not only of many intellectuals, but of the work force every day fighting the windmills - have been repeated in recent times. The misunderstanding with the minister Bondi Whole sectors of Italian culture - film and theater, for example - are made in the news. The absence of important moments of Italian culture - shows the Venice Film Festival, "First" of the scale - can not be justified (although there were ongoing votes in the Senate). The first hypothesis is the institutional presence of boos and protests. Are the risks of the trade. Honors, but also obligations.
If there is a need for a changing of the guard, with this article is intended to indicate an identikit ideal substitute: a passionate man of culture, actually omnivorous, able to communicate to a wider audience, full of genius, taste, sympathy, ability to relations with the world (including the gift of foreign languages). A brilliant and eccentric man - even in dress - capable of brilliant insights but far from the scene of shots sgarbiana memory. Who can be the Mister X? Philippe Daverio. The man already has experience of driving a Department of Culture - Milan and Palermo - is a passionate communicator and able to enthuse even the most remote in the world of art (just look at its transmission Passepartout conduction and its brilliant for the newborn Rai5). His style is elegant and eccentric not go unnoticed among his colleagues (recalling Andre Malreaux).
is a genuine European - or rather, Alsatian - and therefore at the heart of our continent. A man respectful and attentive at work - often conducted without means - of the various superintendents and directors of museums. In his broadcasts often has been able to make the most of the work of these true servants of the state. A man with his visions and intuitions would be able to give new impetus to the whole field of Italian culture, ready to dialogue with everyone, without exception, leaving aside ideology, or rather preconceived ideas.
Davenport would be from outside the institutional culture can give a stimulus to this sector so important to Italian life. Alberto Ronchey as it was and how it was - from the inside - Antonio Paolucci. Is this a dream, or rather madness? Perhaps, but even with this "ingenious" that a country can rise again.
How To Use A Bluetooth Tomovies On Ps3
'Holiday Gold? A few jokes on the blood of taxpayers'
"The grave is that eventually those who remain are fucking their young. As always. "
Art Critic and journalist, but also in culture commissioner arrived Formentini, Philippe Daverio combines the experience of the student to the administrator. And the shaker with acute intelligence.
Daverio, here we go again with the usual recommended in the municipality of cheap apartments and public institutions.
"There's no joking. These are not buildings, are the blood of the taxpayer. Cosgulato blood is coming from there. "
And they end up elsewhere.
"The public stuff is sliced \u200b\u200blike a ham drittone comes first."
What's the answer?
"We are not sure she and I solve this problem. "
already talking about it and talk about it maybe can help.
"Well, actually begin to talk about it can have its own logic."
What's wrong with the institutions that fail to build on their heritage? What then is the heritage of us all?
"We must begin to find a method to determine a fair value to be given to buildings."
Whose fault is it still is not it?
'Municipalities in all of this have a big responsibility. The directors of institutions. Even if Milan does not seem to have behaved then so bad. Or not?.
There are houses in the Gallery that cost a few hundred € per month.
"It's true, but the problem is how these homes are required. Try to enter some backyards or in certain scales via Pellico.
More homes are in the Gallery.
"And here is the misunderstanding. Here the usual splash smart. "
Friends and friends of friends.
"clear that on this first misunderstanding comes the favor."
Of Affittopoli it comes in waves now recurring.
"Municipalities or agencies that are responsible for our blood coagulated, must be committed to enhancing the heritage. "
seem simple.
"Also because the only way to be able to get the most revenue. The rents are determined on a case by case basis, as well as sales. "
as would any private operator.
"Seeing those courtyards, one says," but I mica here we come to live. " And the price drops. Then maybe in ...».
From inside perhaps we overlooking Piazza Duomo and Piazza del Carmine and paid 800 euro per month for 100 meters.
"clear that if they are neglected, the products that government agencies put on the market can reach the market figures. "
And how do you mess with us?
"It happens too often that the tenants are the last to know that their house was put up for sale. Not good. It promotes things unclear. INPS and housing vacancies? Those are the pension money that are lost. "
There are laws and proclamations.
"The law on securitization is a mess. Which derives from the total lack of rules. After all, the rent control was much better. "
Sooner or later there's always the smart ones.
"Who is in the chain is inside, who's out is out. "
not nice.
'laxity and ambiguity are criminals. It is those houses are ours. They are our blood. "
Daverio, here we go again with the usual recommended in the municipality of cheap apartments and public institutions.
"There's no joking. These are not buildings, are the blood of the taxpayer. Cosgulato blood is coming from there. "
And they end up elsewhere.
"The public stuff is sliced \u200b\u200blike a ham drittone comes first."
What's the answer?
"We are not sure she and I solve this problem. "
already talking about it and talk about it maybe can help.
"Well, actually begin to talk about it can have its own logic."
What's wrong with the institutions that fail to build on their heritage? What then is the heritage of us all?
"We must begin to find a method to determine a fair value to be given to buildings."
Whose fault is it still is not it?
'Municipalities in all of this have a big responsibility. The directors of institutions. Even if Milan does not seem to have behaved then so bad. Or not?.
There are houses in the Gallery that cost a few hundred € per month.
"It's true, but the problem is how these homes are required. Try to enter some backyards or in certain scales via Pellico.
More homes are in the Gallery.
"And here is the misunderstanding. Here the usual splash smart. "
Friends and friends of friends.
"clear that on this first misunderstanding comes the favor."
Of Affittopoli it comes in waves now recurring.
"Municipalities or agencies that are responsible for our blood coagulated, must be committed to enhancing the heritage. "
seem simple.
"Also because the only way to be able to get the most revenue. The rents are determined on a case by case basis, as well as sales. "
as would any private operator.
"Seeing those courtyards, one says," but I mica here we come to live. " And the price drops. Then maybe in ...».
From inside perhaps we overlooking Piazza Duomo and Piazza del Carmine and paid 800 euro per month for 100 meters.
"clear that if they are neglected, the products that government agencies put on the market can reach the market figures. "
And how do you mess with us?
"It happens too often that the tenants are the last to know that their house was put up for sale. Not good. It promotes things unclear. INPS and housing vacancies? Those are the pension money that are lost. "
There are laws and proclamations.
"The law on securitization is a mess. Which derives from the total lack of rules. After all, the rent control was much better. "
Sooner or later there's always the smart ones.
"Who is in the chain is inside, who's out is out. "
not nice.
'laxity and ambiguity are criminals. It is those houses are ours. They are our blood. "
Source: Ilgiornale
Long Term Effects Of Syphilis If Untreated
If the museum becomes impossible dream
Source: lastampa.it 
" Yeah, but all this happens in a non-EU country, 'says slyly, the art critic and star of Rai 5 Philippe Daverio . "The Vatican City legitimately aspires to take a jet, has always been there and I find nothing wrong. The question is: a story of artistic treasures, I never thought inaccessible. Not to mention of famous paintings in storage, they're there for good reason. The theme of the queues and waiting lists is misplaced: everyone gets busy for the four-event for the "Women in the Mirror" by Titian hangs in the Palazzo Marino in Milan, without remembering that for a while was in Mantua and almost no one had noticed. We want to mention, however, some wonderful museums that nobody ever visits? Those of Palermo? The formidable Palazzo Piccolomini in the countryside? The Galleria Corsini in Rome that big risk? These are the true cultural cases. "
Dry Skin Indentations
Rock Picasso
Article by Philippe Daverio Avvenire
In 1928, René Magritte paints a funny and bizarre that depicts a pipe under which is written "ceci n'est pas une pipe" (this is not a pipe ): in fact the case because the picture you can not smoke so it is not a pipe, but only its representation. The title of the painting is The betrayal of images. In 1912, Pablo Picasso had taken the opposite path: he had built with pieces of cardboard that an object called "guitar" but that does not look anything like the guitar, the evoked mentally, was obviously not playable, but was the glorification of the image. This first guitar derived an infinite series of sketches and small works that were looking ephemeral largely destroyed by neglect of the moment. The survivors are in these days to be a curious exhibition of 70 works that opens at the MoMA in New York on February 13 and will remain open until June 6. Very interesting. Picasso was a very special character. He used to tell his colleagues "do not take me in your office, if by chance you come up with a good idea, I will steal ..." which was just another version of his saying 'I seek, I find. "
And in those years the artist that most had had close Georges Braque, with whom he shared studio from 1911 to 1914 in such a blend of style and inspiration when they parted, according to many, were not always able to distinguish the paintings of one than the other. Braque perfectly represent the line of French art that glorified the 'art pour l'art', art as an end in itself, and then separated from any social issue, any policy that was not purely aesthetic. The ethics of the art "without ethics." It was emblematic of his painting of 1910 Violin, glass and knife, as was the "breach" of 1911, all broken, and how it will be many others depicting scores, tables, musical instruments. It was pure pleasure of painting where the allusion to music was not random because the painting asemantic aspired to become like music.
And Picasso seized of the issue, but it takes the warmth of his character, and with the heat, the irony. He also attended the music, the evaporation of his friend Erik Satie, who was not devoid of semantic dimension, indeed it was the constant quest for questioning, even the funny and irreverent, self-righteous values. And they were both in line with the culture of iconoclasm in Paris that he had found compact provocations of Ubu Roi, the play superprovocatoria Alfred Jarry and anarchic, and that would lead from there to very little, to the provocations of Marcel Duchamp.
Picasso then steals the violin to Braque. Do not forget his own Hispanic origin, much more to guitar to violin, which he still speaks a heavily accented French. Invent the guitar as a totem and gives a sense of the instrument played in the evenings among students and artists in Montmartre, makes it a sinuous body of the female within the Cubist grammar. And then he begins to play with the theme applied that generous and inexhaustible creativity. Why Picasso throughout his career will be formally only in appearance. For him, the bike is a fun way existential ride for life and his relentless surprises.
This leads him constantly to give up style just conquered and dominated for a new deal. And the friendships are just an additional tool for meetings, incentives and ideas. Through Satie meets the young Cocteau, who, in that same 1912 where they happen all colors and all sounds, it does show the way by his contemporaries, in his early twenties but already at the height of his fame, the dancer Nijinsky. The Russian reveals the key to success and modernity, saying "Monsieur, I am surprised."
All art from that time is a surprise. Picasso is surprised and surprising. So much so that from there recently abandoned Cubism, it is more rational first and then gives the neoclassical. In 1917 he was already with another artist and Cocteau and Satie, while many others in uniform gray drown in the swamps of the trenches on the Marne, while Celine writes the first lines of his novel and grim existentialist, Journey to the End of the Night, Sports a ballet scene of elegance and lightheartedness, Parade, which ends in a brawl with the criticism. The costumes by now already "late cubist" were on board, such as Picasso's first guitar.
And in those years the artist that most had had close Georges Braque, with whom he shared studio from 1911 to 1914 in such a blend of style and inspiration when they parted, according to many, were not always able to distinguish the paintings of one than the other. Braque perfectly represent the line of French art that glorified the 'art pour l'art', art as an end in itself, and then separated from any social issue, any policy that was not purely aesthetic. The ethics of the art "without ethics." It was emblematic of his painting of 1910 Violin, glass and knife, as was the "breach" of 1911, all broken, and how it will be many others depicting scores, tables, musical instruments. It was pure pleasure of painting where the allusion to music was not random because the painting asemantic aspired to become like music.
And Picasso seized of the issue, but it takes the warmth of his character, and with the heat, the irony. He also attended the music, the evaporation of his friend Erik Satie, who was not devoid of semantic dimension, indeed it was the constant quest for questioning, even the funny and irreverent, self-righteous values. And they were both in line with the culture of iconoclasm in Paris that he had found compact provocations of Ubu Roi, the play superprovocatoria Alfred Jarry and anarchic, and that would lead from there to very little, to the provocations of Marcel Duchamp.
Picasso then steals the violin to Braque. Do not forget his own Hispanic origin, much more to guitar to violin, which he still speaks a heavily accented French. Invent the guitar as a totem and gives a sense of the instrument played in the evenings among students and artists in Montmartre, makes it a sinuous body of the female within the Cubist grammar. And then he begins to play with the theme applied that generous and inexhaustible creativity. Why Picasso throughout his career will be formally only in appearance. For him, the bike is a fun way existential ride for life and his relentless surprises.
This leads him constantly to give up style just conquered and dominated for a new deal. And the friendships are just an additional tool for meetings, incentives and ideas. Through Satie meets the young Cocteau, who, in that same 1912 where they happen all colors and all sounds, it does show the way by his contemporaries, in his early twenties but already at the height of his fame, the dancer Nijinsky. The Russian reveals the key to success and modernity, saying "Monsieur, I am surprised."
All art from that time is a surprise. Picasso is surprised and surprising. So much so that from there recently abandoned Cubism, it is more rational first and then gives the neoclassical. In 1917 he was already with another artist and Cocteau and Satie, while many others in uniform gray drown in the swamps of the trenches on the Marne, while Celine writes the first lines of his novel and grim existentialist, Journey to the End of the Night, Sports a ballet scene of elegance and lightheartedness, Parade, which ends in a brawl with the criticism. The costumes by now already "late cubist" were on board, such as Picasso's first guitar.
Source: Avvenire.it
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Letizia Moratti: Confessions of a mayor to be
According to Philippe Daverio you are without power in the hands of the lobby, driven only by ambition staff does not know the city has never been in the neighborhoods, knows nothing of normal people.
expecting for the appointment of Councillor for Culture. I did not oblige.
expecting for the appointment of Councillor for Culture. I did not oblige.
Source: landscape
Taylor Lauftner Soundboards
Philippe Daverio ArtistInMostra
Three separate awards will recognize the value of the artists exhibiting in the event of Parma. Each expressed the opinion of people each different type of approach, experience, of interests, critics, gallery owners, the public visitors.
Sunday, February 27, at 12
with the participation of Philippe Daverio
- assignment critics' prize - awarded the prize of the gallery
make up the committee of the critics' prize (€ 5,000 on purchase of ' work): Giovanna Cassese, director of the Accademia di Belle Arti di Napoli, Eugenio Carlomagno, Director of the Academy of Fine Arts of L'Aquila, Richard Romagnoli, director of the Academy of Fine Arts in Santa Giulia di Brescia, Silvia Casanova, journalist Art for Today, Pier Paolo Mendogni, art critic of the Gazzetta di Parma. The
Award Committee of the gallery consists of three players representing three different areas of the market: North, Central and Southern Italy. In addition to the purchase of € 2,500 prize, the winner will also be involved in the illustration of an art book for children, which will launch the first volume of the new series of Campanotto Publisher.
Sunday, February 27, at 12
with the participation of Philippe Daverio
- assignment critics' prize - awarded the prize of the gallery
make up the committee of the critics' prize (€ 5,000 on purchase of ' work): Giovanna Cassese, director of the Accademia di Belle Arti di Napoli, Eugenio Carlomagno, Director of the Academy of Fine Arts of L'Aquila, Richard Romagnoli, director of the Academy of Fine Arts in Santa Giulia di Brescia, Silvia Casanova, journalist Art for Today, Pier Paolo Mendogni, art critic of the Gazzetta di Parma. The
Award Committee of the gallery consists of three players representing three different areas of the market: North, Central and Southern Italy. In addition to the purchase of € 2,500 prize, the winner will also be involved in the illustration of an art book for children, which will launch the first volume of the new series of Campanotto Publisher.
Source: arteinforma
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