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Richie Kotzen -" Peace Sign "(2009, Columbia)

For those who do not know them, Primal Fear were founded by Ralf Scheepers (vocals), when, after leaving the Gamma Ray's Kai Hansen, discovers that he was not chosen by Judas Priest to replace Rob Halford after his departure. Here, Primal Fear are practically clones of Judas Priest and German since 1998 on a regular churn of classic heavy metal album that have almost all the seminal "Painkiller" (1991, Judas Priest, in fact).

Mind, Primal Fear have an enviable discography in terms of validity, their only flaw is the lack of a quid which distinguishes them from their group's inspiration and the rest of the mass of classic heavy metal bands. precisely this weak attempt to put remedy with "16.6 (Before The Devil Knows You're Dead)", their eighth studio album. As for the title, the band members said they will not reveal what it means, even if the "P" is the sixteenth letter of the Latin and the "F" is the sixth (16.6; PF; Primal Fear?). Frankly, however, seems too stupid as a solution.

Mat Sinner In this album, bassist and main songwriter, gives its best, together with colleagues Randy Black (drums), Henny Wolter (guitar) and Magnus Karlsson (guitar), the newcomer for the first time, replacing Stefan Leibing . whole album is permeated by a more epic than just brutality the past, and that's good, because it helps to give the quid above. It starts with the intro "Before The Devil Knows You're Dead" which, after forty seconds consisting of choirs and orchestras gave way to the first real song, "Riding The Eagle." The eagle is a recurring theme in the iconography of Primal Fear: stands on every cover, and the fact that on that last album is camouflaged, according to the band is on another level of innovation. But back to the piece. A riffone hued power metal takes us on a stolen piece that seems more inspired by the Gamma Ray. Solo very engaging. Excellent piece, but does not solve the problem of originality.
Riff heavy as a boulder for "Six Times Dead (16.6), very inspired and a new air carrier of Primal Fear at home, thanks to malatissimo solo. Headbanging insured.
Pertenza Oriental for "Black Rain", a wonderful piece that speaks of betrayal in war dall'epicità through the intro and bridge to the chorus as simple as dragging. Only spot is as well built as rhythmic inventiveness.
"Under The Radar" enhances his feeling to ride, but the stench of Gamma Ray feels a mile away. Anyway good song.
leaving fulminating solo for "5.0/Torn, who continued in spectacular fashion and with a character that gives way ispiratissimo progressive style Primal Fear only in the chorus. Bending and harmonics to handle.
"Soar" is really angry from the first second! Excellent song, too bad only the banality of topics: nuclear explosions, wars e. .. 2012. It 'also the most experimental album, as witnessed by the center.
"Killbound", which refers to a legion of mercenaries, like something out of "Jugulator" Judas Priest feeling, sound and setting of the song etc.. Another great example of heavy metal.
"No Smoke Without Fire" features never dull atmosphere and great effect, just what you need this album. Still
Teutonic power metal to lead the way for "Night After Night." There is talk of
revenge inspired by the "Smith & Wesson, a gunshot sound in my ears. Definitely failed.
Guess what could treat "The Exorcist"? Bravi. The music can be defined quite simply by quoting abatantuoniana "VIULEEEEEEEEEEEEEENZ'!!!".
The beautiful ballad "Hands Of Time" shows off the tender soul of the band, closing well as an excellent disk.
We appreciate the innovative efforts of the sound, but you can do more.
Finally, a good album of classic metal, tending to power, without being pretentious, which aims to satisfy the palates of fans without slavishly reproduce the same (great stuff), old story of the previous albums.