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We continue to analyze the origins of the WET analysis of the "E.". It 's the time of the Eclipse, as the Swedish Work Of Art and how they signed to Frontiers. But this time the sound is considered far more harsh and direct: forget Toto and Journey, this time the first things that come to mind are Bon Jovi, Europe, Whitesnake, in short, everything the hard rock hard and direct.
Erik Martensson (vocals, guitar, bass and keyboards! Then even in WET), Magnus Enriksson (guitar), Johan Berlin (keyboards) and Robert Back (drums) debuted in 2001 with the self-produced and very direct "The Truth And A Little More," Frontiers are noticed by putting you under contract , releasing "Second To None" in 2004, but it turns out to be of lesser stature despite being a nice album.

In 2008 comes "Are You Ready To Rock." Fuck if I'm ready! With an album like that, then! Compared to previous work you prefer to squeeze the accelerator rather than focusing solely on melody, and the result is eleven songs are simply crazy! Indeed, one could extract a single with each one of them! Martensson has a spectacular voice, capable of giving always feel at the right time as only great singers can do, Enriksson clocking like crazy, hitting back hard and Berlin will wrap you with its melodic carpet. "Breaking My Heart Again" is simply orgasmic. Riffone worthy of the best hard rock eighties, and closing assolone connected with the pounding "Hometown Coming", the spectacular second episode based on large choir, chorus strap ears and a new riff burning. Only spot load of adrenaline that reminds Enriksson Malmsteen, but fortunately is less frills.

"To Mend A Broken Heart" brings to mind the Europe, but deviate from it with a riff very granite which explodes in his office studying for a refrain fantastic concert. "Wylde One" is an explosion of adrenaline to two hundred per hour than you do scapocciare from first to last second. I got even want to beer! While I'm going to uncork the "Under The Gun" (and enough with this title! Is inflated by now!), Incipit classical like vinyl and devastating explosion that bursts in the chops Malmsteen album. An epic ride dressed up with a chorus and epic guitar solos filled with old-fashioned. Groove chitarrone to throttle and heavy for "Unbreakable", much more melodic than the previous songs. A welcome slowdown that allows you to reorganize ideas, even if as a result we have the total in half. It starts to dive frenetic pace of "Hard Time Loving You", which does not even have time to breathe is so tight and compact. Note the solo 'crazy' reminiscent of the NWOBHM with its twin guitars that follow and intertwine.
gunshot introduce us to "Young Guns", and the lively atmosphere in the middle between Europe and Malmsteen "Eclipse", but with a much more modern riffing. The chorus also recalls bands like Danger Danger, just to clarify what kind of sound we're talking about. Confused, eh? How evil.
"Million Miles Away" returns to the classic melodic hard rock, revealing enthralling and ispiratissimo, one of the best episodes of the album, as well as the beautiful "2 Souls" with its riff simply magnificent, and its chorus made to art.
It closes the curtain with "Call Of The Wild", a track that boasts the most brilliant opening riff of the entire disk and is able to enhance the listener until the last millisecond.
Now you're starting to understand where it came out "WET"! For the next review of the last letter of the acronym with Talisman!








After the review of the masterpiece of the WET I feel duty-bound to analyze the groups who provided the letters of the acronym. We begin of course by "W." with the Swedish Work Of Art, created in 1992 by the guitarist guitarist Robert Sall (who participated in the project WET) and drummer Herman Furin. With that in mind a melodic rock inspired by Journey and Toto, the two are desperate for a singer to fit their vision. The producer Lars Säfsund, after hearing some of the songs on "Artwork" decides to lend her voice to the amazing project. The strength of this debut album (it took them sixteen years ... congratulations on your perseverance!) Is not the original, to say the truth may well be a disk Lukather and partners, but the mastery of composition and involvement that give the twelve songs during fifty-two minutes you would like to never end. "Why Do I?" opens the disc in the best way: melodic, powerful, magical, immediate and unforgettable. Better was not possible. Really. I was lying. Wow.

Following a "Mary" romantic and dreamy, for ever indebted to a certain "Georgy Porgy," but once again a masterpiece. "Camelia" continues in the same direction with its riffs and its carpet funkeggiante keyboard that makes the difference, and then explode in the chorus blatantly ... Toto. If you have not understood, these guys are the reincarnation. After two mid

time you get to ride "Her Only Lie ", with its overwhelming power. Memorable chorus that is printed immediately to mind right away. Madonna is" Too Late "! After the opener the best episode of the disc! Riff much more original than the previous tracks and feeling a go go. Spectacular. Party soft and atmospheric song most blatantly 'inspired' to Toto, "Whenever U Sleep." The piano, though relegated to second place on guitars, is the master and Work Of Art give us another piece chain. was the hour of ballatona, placed with skill and simply irresistible. "Once In A Lifetime" is like a caress made with a rose petal (I never thought of writing something like that first I heard 'song is!), romantic and, again, perfect.
follows the daring "Peace Of Mind" that she could easily be the soundtrack of Rocky at random! A progressive features (a little) and sometimes from stage (a lot), involves great.
way for the more massive rock with "Lost Without Your Love", where for the first time I can say that the keyboard penalizes the overall result of the song, which covers over a riff really nice, especially during the riff. Remains the same as a great piece, even with this small flaw. Cori
ball in the opening funky song "Like No Other", bubbly episode that reveals once and for all the mastery of these three young Swedes.
"Cover Me" is a rock song in effect, putting aside the AOR side that has come out so far and releasing all the energy of the trio.
After this adrenaline rush closes with "One Hour", vaguely oriental and structure that displaces, since it opens with a bad riffone, calms down with a verse and sweet in its own way, experimental and finally explodes into a riff exalted the voice of Säfsund.
The best value of the Work of Art and the compositional mastery worthy of its unmatched Toto, the fatal flaw is that it does not seem to have an identity defined by referring to the band too Lukather and potentially end up labeled as clones. Clone well done, but still clones.
Criticism aside, Work Of Art have class, style, words have the balls cubic.
If they were able to begin before 2008 probably today would be an important name in the European AOR scene, and why not, worldwide.








Nth supergroup Army of the Frontiers, the WET are composed by Robert Sall, guitarist Work Of Art (or "W" of name), Erik Martensson, bassist Eclipse (the "E") and none other than Jeff Scott Soto, who has lent her voice to countless artists (Journey, Panther, Trans Syberian Orchestra, Takara, Human Clay, Axel Rudi Pell, Humanimal, Yngwie Malmsteen, Eyes ,...) and ultimately militates in Talisman (the "T."). This first work of WET reveals the surprise of the year, one of those albums you do not expect that you lie down and from the first listen. Of course, there is always around the usual Criticón they wanted more, that they take it over the sound of modernity, which boycotted the WET for the sole super-group status.

Let them lose, "WET" is an album of classic melodic hard rock, but of course updated to today's standards with regard to the sound and production. The technical execution is superb, but the technique is subservient totally to the songwriting never expire stain to soloists. The WET is a band, and being composed of three strong individuality does not affect the final result that comes out compact and homogeneous. "It 's hard with Journey that I realized if I stayed with them," Soto of this statement sums up perfectly what I have so far tried to explain a thousand words.

's amazing how a project on the quiet, almost as a joke turned out to be the cornerstone of dell'AOR year 2009. Be enchanted by the class of the cover and step play, the first three parts will be enough to make you understand the value of this album, otherwise, if you're picky like me, be warned: do not stop listening to the first surface of the disc you'll see the beauty in all its majesty from the third onwards. Not that the disc is difficult to understand, but there are many facets of the project. Analyze them together. "Invincible" is impossible not to sing out loud, with his writing and his considerable rhythmic symphonic component that helps to drag the listener into a vortex whose solo is the icing on the cake as simple as refined shades almost classical. By the way, but how long Soto did not sing so well? Welcome back Jeff! Following is singolone "One Love" that, do not worry, there is a cover of U2 or neither of the Blue, but a semi-acoustic ballad simply overwhelming that knows a lot of Journey. One of the most beautiful songs ever sung by Soto. The chorus is a simple one, but from the outlet immediately.
"Brothers In Arms" has an original riff and a fantastic chorus that candidates for the song at the palm of best episode of the album. Lively and atmospheric, in short, just perfect. After the burning of triplet
departure follows "Comes Down Like Rain", power ballad that lets you catch your breath with its breadth and its hushed atmosphere that only in the chorus gives way to an explosion of emotion from true masters.
"Running From The Heartache" is the perfect fusion of Journey and Talisman. Again atmosphere ball of what just close your eyes to imagine on stage to sing in front of thousands of people. Do not do it in the car could be dangerous. Spectacular
also "I'll Be There", in which we increase the pace to get a piece that would envy the best Danger Danger!
Not to mention "Damage Is Done! Heavy guitars and delicate piano will introduce you to a bridge and a chorus very rhythmic Europe. Crazy, we are the seventh song, and there is not even a shadow of a stop! There is a note out of place, there's a song that does not involve or do not drag!
fact we proceed with the crackling "Put Your Money Where Your Mouth Is", which shows us Soto finally a bit 'more "pissed off" that will accompany us in the most classic hard rock track on the record.
"One Day At A Time" is also a power ballad from the hair-raising, this time from the Gotthard flavor, so to speak. Keep on hand a girlfriend / boyfriend or your, if you're at the concert, glli lighters. Sconsigliatissima who has just left with the boyfriend / girlfriend.
Go back to the grind hard rock with the beautiful "Just Go", with its symphonic and epic riffs halfway between the first and Malmsteen, once again, the Journey, but with much more energy.
"My Everything" will melt you with its enchanting melodies and the incredible performance Soto. If she came out thirty years ago would probably now a classic that has climbed the charts all over the world. Closing
entrusted to the power ballad "If I Fall", clearly of Journey from the first notes. We say that the statement was first cited Soto fits perfectly.
Not a bad song. Finally an 'appetite' (for those who do not understand, go and read the first lines of the review of "Chinese Democracy" by Guns N 'Roses, was published in May 2009).
best record of 2009? Maybe. Best hard hard rock / AOR in 2009? Definitely.
Fiondatevi to buy it before it runs out.








There is little to add than what has been said in the review of "Lean Into It" for news and trivia. Bassist Billy Sheehan in an interview with Metal Maniac told how the band wanted to wait for the right time for getting together, making it in the only moment in which they were pressed by the majors. The ancient rifts between group members could rekindle the old fires led to the dissolution of the original (with Paul Gilbert to six strings) if this reunion was not born as naturally as possible. The disc you have (or have) in my hands is the result of informal jam session which was attended by other musicians, including Richie Kotzen, who replaced Gilbert, dinners and face to face to discuss the future of "Mr. Great. It will be that now the water has passed under the bridge, it will be that the four were completed in the meantime, it will be whatever you want, the result is a spectacular live performance and choice of the lineup. Registered in Budokan in Tokyo that he had seen their last performance, this return is not totally perfect, but only because Mr. Big showed nothing more than a show spontaneous and genuine, without overdubs: there is music, the public and there is enough. Do not take the small imperfections (actually very few) as an excuse to 'downgrade' the disk, but as the humility to present to the public for what it is.

The classics are all there, spread to two long CD, and there's even a blazing beacon of hope for the future, that every fan will appreciate of course: two new songs offered both in live and studio version. "Hold Your Head Up" is modern, yet reminiscent of the past with his riff very Van Halen and his chorus very original stadium. If you are part of the hardcore bigots who do not appreciate the freshness of composition, do not worry, for you there is "Next Time Around", a classic to say the least and that leaves promise sparks in the case of a new studio album (Sheehan said after the conclusion of the tour will see how to proceed). As for the rest of the songs live, there will be spoiled for choice: take a look at the end of review for the full tracklist.

are also the classic 'only spots' where Billy Sheehan, Pat Torpey and Paul Gilbert performing in all their monstrous talent. Stumble especially the drum solo of Torpey: it's amazing how it can carry an absurd pace with his legs, another even more absurd with his arms and sing well above! Just crazy. Not that the bass and guitar solos are of lesser stature, but the ability to Sheehan and Gilbert are certainly more ... 'Result', grant me the expression. Also noteworthy is a cover of "Baba O'Riley" (the Who) much over the top. A spectacular live that returns of Mr. Big in great shape and suggests promising future developments: what more do you want?
Tracklist: CD 1

01 - Daddy, Brother, Lover, Little Boy (The Electric Drill Song)
02 - Take Cover
03 - Green-Tinted Sixties Mind
04 - Alive And Kickin'
05 - Next Time Around
06 - Hold Your Head Up
07 - Just Take My Heart
08 – Temperamental
09 - It's For You – Mars
10 – Pat Torpey Drum Solo
11 – Price You Gotta Pay
12 – Stay Together
13 – Wild World
14 – Goin' Where The Wind Blows
15 – Take A Walk

CD 2
01 – Paul Gilbert Guitar Solo
02 – Paul Gilbert & Billy Sheean Duo
03 – Double Human Capo
04 – The Whole World's Gonna Know
05 – Promise Her The Moon
06 – Rock & Roll Over
07 – Billy Sheehan Bass Solo
08 – Addicted To That Rush
(Encore 1)
09 – Introducing The Band
10 – To Be With You
11 – Colorado Bulldog
(Encore 2)
12 – Smoke On The Water
13 – I Love You Japan
14 – Baba O'Riley
15 – Shy Boy
Bonus Tracks:
16 – Next Time Around (Studio version)
17 – Hold Your Head Up (Studio version)
18 – To Be With You (Acoustic version)








Decimo album in studio per i Queensrÿche, seminale band di Seattle autrice del capolavoro "Operation: Mindcrime", reviewed some time ago on this blog. Again we have in hand a concept album (yet?! Baaaasta!) Focuses on the experience of American soldiers: the singer Geoff Tate in recent years has interviewed veterans who were involved in conflicts ranging from World War II to the recent Iraq, then translate them into music, often poignant, testimony. So Tate explains the origin of the idea: "The first thing ever was a conversation with my father. My father was in the army and the whole experience has accumulated in places where he has served: Korea, Vietnam .. . We talked about his army life. Susan, my wife once asked me 'Why do not you write a song about your father?'. So when we started talking about life in the army I started thinking about American soldiers, because we do not know much about them, how they feel about a lot of things

...". In short, every song is a different tstimonianza a different soldier interviewed. It starts with a sergeant screaming in my ears that a "UP!" in the opening song "Silver", and concentrated fire, treating the issue of recruitment and training of soldiers .

A siren and helicopter noise introduce us to "Unafraid", sometimes indutrial sometimes very classic, full of clips from interview and time to explain the status turn of mind in which the soldier in war is not crazy. gaze focused at the same time empty of soldiers advancing into enemy territory is brilliantly described in "Hundred Mile Stare", a song musically great stuff like you have never felt for a long time made by Queensrÿche. "AT 30.000 FT" we are on a plane, about to plunge with a parachute: no emotion, everything is beyond our control and we only hear our breath in the mask we wear. The feeling of tension is transmitted by a masterly musical ground that knows when to be perfect, and suffused atmosphere and when to be tough and direct. Moving towards the final "I am the creator of this new promised land and I wonder 'What the hell did I do?'. Are in the air above it. I'm on it. "" A Dead Man's Words "are the anguished words of a wounded soldier, left for dead and left behind in the desert. The second half of the song describes so simply perfect recovery of that person, making it clear the desperation and the will to survive while the soldier with a heavy precious metal, high-level, enriched by oriental hues that paint the picture in the mind of a fiery and unforgiving desert.
"The Killer" is one of the most successful pieces and while listening to one of the most disturbing: the topics include the death of the last child for the desperate mother and the instinct of survival that contrasts with the horror of the soldier who wants to survive the sniper's shooting at you, with the screams echo ("Shoot him!") while still lying on the ground motionless and petrified.
Another masterpiece with "Middle Of Hell", which describes the predicament of a soldier who finds himself in war and understands that even though many will die, he is convinced that he will succeed, ripetendoselo indefinitely. Ispiratissimo solo for a mid tempo caressed by the charismatic voice of Tate. Eddie Jackson and Scott Rockenfield, bass and drums respectively, spread out a rhythm that would have disfigured the carpet on a great album "Promised Land" (1994): The song in fact very reminiscent of that masterpiece of its title track.
The beautiful "If I Were King "(great guitar work by Michael Wilton!) Expresses the sense of guilt for having survived a soldier who wants to revive his fellow soldiers who gave their life even to save her. Even the center.
The heavy "Man Down" depicts the first hope of a soldier shot waiting for reinforcements. When you arrive, however, realizes that only a number and begins to doubt the cavalry, arriving at the last minute, saving it, but leaving it for the mentally disturbed rest of his days.
"Remember Me" is a poignant love letter to a soldier who prays his woman to wait, promising that he will leave and never to be happy forever, all with the usual musical mastery that characterizes the sound of Queensrÿche.
"Home Again" is also a letter, but this time 'double', from father to daughter and from daughter to father. Ballad spectacular, original and poignant in which Geoff Tate duet with her ten year old daughter, Emily. This album almost perfect
closes with "The Voice," about a soldier who realizes that he is now at home, out of danger, but still hear the "voice" in his head, indicating his sanity destroyed traumatic experience of war forever.
An album that rises from the simple definition of "music" to touch the heights of true "art", thanks to the strong message that leads with her inspired lyrics and her musical textures that become sound tracks of life experiences. You probably will not find the style singolone "Operation: Mindcrime", but after a slip that "Operation: Mindcrime II", you finally have in my hands the very essence of Queensrÿche, the group capable of upsetting the canons of heavy metal, transcending the condition of mere perpetrators of a genre that now has almost everything you said was worth saying and not just to artists and rising in the round that convey a message to the hard and uncomfortable especially younger generations (mainly in areas of poor ' America) saw the army as a source of support required.
short, Queensrÿche citing the same, the rich stay rich and the poor remain poor.
Band talented? By now you have shown. Band uncomfortable? Definitely. Long live the
Queensrÿche.
Down with the powerful.

Tally Memory Acees Voilation C0000005

Queensrÿche - "American Soldier" (2009, ATCO / Rhino)


Sometimes they come back. Sometimes make the new center. Sometimes. seventh studio album by Danger Danger and return the entry for the old frontman Ted Poley replacing (most?) Good Paul Laine.

sent exactly twenty years after the release of their debut album, "Danger Danger", "Revolve" would mark a return to the origins of sexual and compelling sound of the good old days. Unfortunately Ted Poley is no longer fresh as it once was vocally and, especially, lacks the fundamental element that makes the group able to tear up the competition, which quell'Andy Timmons masterfully played and embellished the compositions of bassissta Bruno Ravel. See if the three albums of his career best of Danger Danger are the ones where it appears Timmons (Danger Danger "in 1989," Screw It! "1991 and" Cockroach ", released posthumously in 2001 due to bureaucratic problems). Steve West strikes again as it always has and Rob Marcello (Danger Danger in the first job for him) we can do with six strings, although not at the level of genius who preceded him. Let's be clear, Danger Danger and still know there are still composing great songs, fresh and catchy, but the glaze of the past is now gone, you can tell from the first track, "That's What I'm Talking About", which could easily be an outtake from the dull solo album "Smile" (2006 ) by Ted Poley.

is followed by a much more inspired "Ghost Of Love," a strong riff and a chorus credible this time really inspired. follows the strange "Killin 'Love," with its sad, autumnal melancholy piano, which, let's face it, after eight years of waiting, is not exactly what you wanted from the band. It almost seems that they wanted to imitate the feeling of that masterpiece that was "Sick Little Twisted Mind of the previous album, only half succeeding. Danger Danger and sadness do not go together, we want the casino! "Hearts On The Highway" satisfied us, bringing to mind the very band that has been imprinted on fire! Probably if she came out twenty years ago, now would be a classic, with its rousing chorus and his riff ruffianissimo (excuse the pun)! "Fugitive" is the first ballad, simple and almost obvious, is not convincing and does not bear comparison with the cumbersome past.
Speeds up again with "Keep On Keepin 'On", but solar uninspired at both the main chorus riff. Uncharacteristically easy listening with destination TV. A semi ballad
little success, that's what "Rocket To Your Heart." Seems to be composed by any band of emo kids that plague their ears in this dark musical period. Oh, okay, let's not exaggerate. It is not emo, but still sucks.
"FU $" or "Fuck You Money," says the hatred of Danger Danger to the money as it has affected his career. The text definitely saves only shared in part by a sunken track banality. Too bad.
It finally returns to the office with "Beautiful Regret ': start crackling and moving in style early Danger Danger, pity that you know you've heard a half kilometer. Finally
with "Never Give Up" we allow ourselves to be carried away by the first ballad worthy of the name. Still nothing earth-shattering, we are far light years from gems like "I Still Think About You" or "Afraid Of Love."
With "Dirty Mind", one of the best episodes of the album, you close a controversial work in which the Danger Danger seem to remain fairly afloat without too much effort. I sincerely hope that this measure serves as a vacuum in heating, depending on a new album that finally marks the return with a bang.
In the meantime if you want to have fun, Ravana in the old catalog.








is titled "No Guts No Glory" and will be released February 23, 2010 on Roadrunner. Here are the words of Aussie rockers in this regard:

"Airborne Australians are proud to announce the title of the second album for Roadrunner Records: No Guts, No Glory will be released in early 2010. No Guts, No Glory was recorded in Chicago with renowned producer Johnny K ( Disturbed, 3 Doors Down, Staind).

frontman Joel O'Keefe said "Working with Johnny was great: one of us. We have limited ourselves to accommodate the equipment, connect the microphone and play! good times." Drummer Ryan's brother, Joel, confirms: "We put the microphones throughout the building, leaving doors and windows open and pressed the button 'REC'" And here comes the first Italian dates available: 02/28/2010
Estragon, Bologna 03/01/2010
Alpheus, Rome
3/3/2010 Alcatraz, Milan

For those who lived on Mars, "No Guts No Glory "is the second studio album for Airborne, to follow the crazy" Running Wild "in 2008, the first album reviewed in this blog.

Good waiting!

Ideal Percentage Muscles

release new album title and Airborne!





A good three years away from "Christ Illusion, Slayer we slam into the face of fierce" Painted World Blood ". Forty minutes in which the low wall of sound of butchers California overwhelm you without compromise, just to let you know that this time you do not fuck.
Written and recorded in just over four months, the album consists of eleven songs, six of which consist of Kerry King (guitar) and five by Jeff Hanneman (guitar). Recall that the previous album are Dave Lombardo on drums, back after several-year hiatus from the band, which had been replaced by the excellent Paul Bostaph. Tom Araya as always at the microphone and behind the now ubiquitous sound of thrash producer, Rick Rubin. The sound is not clean, so it's heavy and dusty as it should be. We're talking about Slayer, not the Teletubbies. Original

the idea of \u200b\u200bcontinents composed of bones for the cover, divided into four different covers, which together form the world map. To the series of "long live the nerd that metalheads are bought four times as hard to get the full map." Vista also lack ease of finding information and trivia on the album, we move to the review.

It starts now in the fifth with the title track "Blood Painted World," the second single from the album, with his furious riff of clear matrix Hanneman, enhanced by the break much more melodic than in the recent past. The icing on the cake, the voice of Tom Araya, who in my opinion over the years, blends better with the sound of the band. Thanks also to his solo reminds hallucinated some classics of the '80s period. Speed \u200b\u200bis the key word to define "Unit 731", and if You know the furious riffing and the drumming of the good old days, you can have an idea: no time to recover from the solos of Kerry and Jeff crossed the finish two minutes and a half. And you feel as if you had passed him in a truck which obviously have not had time to take the license plate. not slow down even with "Snuff", a boulder that rolls on the neck at full speed, for a change. These are the songs that make you understand that now the metal is free from external influences that distort in the 90s, often making it almost unrecognizable: a lot of groups are returning to their roots and the sound that made this genre great. Following a spectacular "Beauty Through Order" that after starting a very "Season In The Abyss" (1990) ... continues just as if it had been composed for this great album! The almost martial rhythm gives way only half a solo piece with a consequent change of time and just riff on Oscar. Headbanging insured for the likely future classic that will surely make the dead (literally) under the stage.
flying start with "Hate Worldwide", the third single from the soundtrack for a perfect metal blender, given the nastiness that permeates and speed of execution.
The heavy metal extreme state of the art in this album is called "Public Display Of Dismemberment", composed by Kerry King in a state of grace that focuses virtually all the ideas that made him famous in his career along with colleague Jeff in two minutes and a half bestial.
"Human Strain" is permeated with an atmosphere much more elaborate, but not least "angosicante," with its pounding rhythm and the fantastic vocals of Araya, who played crucial to the success of the piece.
the vein of experimental "Jihad" from the previous platter, Kerry King offers us "Americon" different and more accessible, it would almost say "commercial", but we're still talking about the Slayer.
We're back to classic sound with "Psychopathy Red", first single, with two adjectives that describe Count: fucking brilliant. Point. E 'already a classic. A classic that rips the bones from the body and I'll crumble in two minutes.
are back atmosphere sick of Human Strain "with" Playing With Dolls, "made for calm (relative to the sound of Slayer, of course) in view of the listener conlusiva" Not Of This God, concentrated tornado sound of fury composition and hatred.
It is rumored that this might be the last Slayer album. I sincerely hope not, because we have once again shown who's boss with an album is not perfect, but directed to a specific audience that wants exactly what I have described. Fuck experiments and contamination, Slayer are unique. You can hate them, you love them, you can not understand them, but they are there and, trust me, even if they do not shit, sooner or later you will find them. E 'was also the case for me and will be for the metalheads that have yet to be born to find out masterpieces like "Reign In Blood" (1986).















Unstoppable Blackie Lawless, who after fifteen years of his career and fourteen studio albums, still manages to produce quality music . Yes, because this "Babylon" album which turns on the figure of the four horsemen of the apocalypse, is the worthy successor of the incredible "Dominator" in 2007, which blew up the fans, but most skeptics, in their chairs.

After a long period in which the inspiration seemed to him turned his back (more or less "Still Not Black Enough "in 1995 to" The Neon God, Part 2: The Demise "in 2004) the good old Blackie, founder, leader, singer and guitarist of WASP seems to be back to show us that his time is still far from over . "Babylon" is a cool job, maybe not original, but that is exactly what every fan of WASP could want. Along the lines of "Dominator", Blackie is proposing seven new songs to scream, plus two covers (the covers damn viziaccio ! It is really necessary in a two disc with just seven new songs?), reminiscent of that golden period of the band that churned out masterpieces like "The Headless Children" (1989) or the fantastic concept "The Crimson Idol" (1992).

It starts immediately in the fourth with the inspired "Crazy," in which the rousing chorus is king, in a very successful hard rock song. "Live To Die Another Day" is classic WASP riff and chorus directed strappaorecchie, to sing in a convertible launched on route 66. Fantastic. Indistinguishable style percussion WASP Epic is the watchword of the metal ride by the name of "Babylon's Burning", probably the best part of the album is perfect from first to last note, and topped off with a fantastic solo. Following the first of two covers, or "Burn" (originally recorded for the album, "Dominator" but then excluded): nice office, but certainly for exclusive merit of Deep Purple. Much better than the original.
"Into The Fire" is a mid tempo that would be evocative, but it is a bit 'off because of the banality of its structure. Very high levels
instead for "Red Thunder," a frontal assault on the basis of sex and blood rock, in the face. Fantastic and casino!
Try to swim in the "Seas Of Fire", if you dare. Your score would be this great song, this time more conducive to metal to rock, in a crescendo of pathos that culminates in one spot and amazing in a very bad final bridge.
The last piece is the original crazy power ballad "Godless Run ", really creepy. To listen to ball especially for its super solos bring to mind those monster ballad of the late '80s, early '90s, that excites us even today.
It closes with" Promised Land "cover Chuck Berry incattivita by WASP until it becomes almost unrecognizable. Evolution or cover avoidable? to you will judge.
A great album-style WASP, which contains all the ingredients to be appreciated in the live and the only weakness in cover-filler, clear ploy to cover the small number of unpublished works.
The WASP will be Nov. 23 at Estragon in Bologna and Milan Alcatraz November 24: Due to the last two explosives work, and given the spectacular theatricality hued horror of their shows, let us a little thought!