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We continue to analyze the origins of the WET analysis of the "E.". It 's the time of the Eclipse, as the Swedish Work Of Art and how they signed to Frontiers. But this time the sound is considered far more harsh and direct: forget Toto and Journey, this time the first things that come to mind are Bon Jovi, Europe, Whitesnake, in short, everything the hard rock hard and direct.
Erik Martensson (vocals, guitar, bass and keyboards! Then even in WET), Magnus Enriksson (guitar), Johan Berlin (keyboards) and Robert Back (drums) debuted in 2001 with the self-produced and very direct "The Truth And A Little More," Frontiers are noticed by putting you under contract , releasing "Second To None" in 2004, but it turns out to be of lesser stature despite being a nice album.

In 2008 comes "Are You Ready To Rock." Fuck if I'm ready! With an album like that, then! Compared to previous work you prefer to squeeze the accelerator rather than focusing solely on melody, and the result is eleven songs are simply crazy! Indeed, one could extract a single with each one of them! Martensson has a spectacular voice, capable of giving always feel at the right time as only great singers can do, Enriksson clocking like crazy, hitting back hard and Berlin will wrap you with its melodic carpet. "Breaking My Heart Again" is simply orgasmic. Riffone worthy of the best hard rock eighties, and closing assolone connected with the pounding "Hometown Coming", the spectacular second episode based on large choir, chorus strap ears and a new riff burning. Only spot load of adrenaline that reminds Enriksson Malmsteen, but fortunately is less frills.

"To Mend A Broken Heart" brings to mind the Europe, but deviate from it with a riff very granite which explodes in his office studying for a refrain fantastic concert. "Wylde One" is an explosion of adrenaline to two hundred per hour than you do scapocciare from first to last second. I got even want to beer! While I'm going to uncork the "Under The Gun" (and enough with this title! Is inflated by now!), Incipit classical like vinyl and devastating explosion that bursts in the chops Malmsteen album. An epic ride dressed up with a chorus and epic guitar solos filled with old-fashioned. Groove chitarrone to throttle and heavy for "Unbreakable", much more melodic than the previous songs. A welcome slowdown that allows you to reorganize ideas, even if as a result we have the total in half. It starts to dive frenetic pace of "Hard Time Loving You", which does not even have time to breathe is so tight and compact. Note the solo 'crazy' reminiscent of the NWOBHM with its twin guitars that follow and intertwine.
gunshot introduce us to "Young Guns", and the lively atmosphere in the middle between Europe and Malmsteen "Eclipse", but with a much more modern riffing. The chorus also recalls bands like Danger Danger, just to clarify what kind of sound we're talking about. Confused, eh? How evil.
"Million Miles Away" returns to the classic melodic hard rock, revealing enthralling and ispiratissimo, one of the best episodes of the album, as well as the beautiful "2 Souls" with its riff simply magnificent, and its chorus made to art.
It closes the curtain with "Call Of The Wild", a track that boasts the most brilliant opening riff of the entire disk and is able to enhance the listener until the last millisecond.
Now you're starting to understand where it came out "WET"! For the next review of the last letter of the acronym with Talisman!