Wednesday, March 16, 2011

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Classical and Philippe Daverio present "Pastorale"

Music & Book Gallery is the publishing project of Classical, the television channel devoted entirely to music broadcast on Sky (channel 728). Featuring an elegant look and essential design, each output of the series has two DVDs containing exclusive edition of a musical performance and a book. Operas, concerts, dance performances and documentaries have brought in experts and accompanied by video and backstage insights.
The book, chosen from among the acknowledged masterpieces of world literature dxella , offers an unusual key to understanding the issues and complete proposals on the DVD.
Patron is exceptional Philippe Daverio , the most famous host of Italian culture. He is entrusted with the task of explaining, in video, the characteristics of each masterpiece, the reasons and secrets of success.
Pastoral (out in April). The DVD features a performance of Symphony No. 6 "Pastoral" by Beethoven, recorded live at the Goldener Saal der Gesellschaft der Musikfreunde Vienna. Master Christian Thielemann directs the Vienna Philharmonic in a memorable performance that evokes the spirit of romantic Germany.
The DVD is enhanced by the documentary Discovering Beethoven's director Karina Fibich with Joachim Kaiser and Christian Thielemann. The book completes the set is La Symphonie Pastorale by André Gide , in the new translation by Emanuele Kanceff.
Numbers Music & Book Gallery are available in all libraries and the best record stores at a price of € 29.90 . titles already in distribution are: Otello, Turandot , Barenboim Boulez, The player, La Bohème, Romance, Peer Gynt, Messiah, 24 preludes, Pathetique, Giselle, Pastoral. Special issue: Daniel Barenboim and Fryderyk Chopin.
Future Releases : Heroic, The conveniences and inconveniences plays, Karajan at La Scala.

Source: gbopera

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Daverio Penati and present "The adventure of a thousand"

Here is the presentation of Philippe Daverio of "The Adventure of a thousand" to be presented today at the author and Filippo Penati 17 to the palace Isimbardi, in a nursery in Milan.
L 'Avventura dei Mille "Com'eran beautiful - Italy! - Your Mille?! Beautiful, beautiful! Were coll'abito and hat of the student, as with the more modest bricklayer, carpenter, blacksmith's "? Giuseppe Garibaldi
The situation in 1860 was a plot which in all respects resembled a basket of crabs. In this climate Garibaldi, born for action, he decided to act by stimulating the desires of an entire generation in the expedition that found the crucible of his training and was then forgotten. Joseph Noda, teenage soldiers of the ancien regime Habsburg, wearing the red shirt that had become a middle-class modern Italian, it was a very clear example.? The drawings, discovered after years of neglect and published in full for the first time in this book, are of interest resounding: tell live, like in a movie, the fourth shipment from Palermo and is the only document pictorially narrated live, without exaggeration hagiography, which can give a testimony of the adventure of the Thousand fragrant, able to confirm promptly the texts the players have left us.

Source: Italian affairs

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clash between culture and politics

The art critic, Philippe Daverio sued for libel David Pharaoh, leader of the Democratic Party to the City of Palermo, for a "post" wrote ; exponent democratic Rosalio , July 6, 2010, in which he spoke of "gang culture in Palermo," referring to the management of events, in particular the Garibaldi day of May 2010 and the Feast of July 2010, while he was a Davenport as cultural adviser of the mayor Cammarata.
"I am calm and happy - says Pharaoh - because this lawsuit puts at the center 'cultural issue' to Palermo in the years characterized by many abnormalities, bankruptcy events, waste of resources to the detriment of the citizens of Palermo and daily mortification of the whole artistic reality and cultural center is not aligned with the Government and covered Cammarata.
"I hope - he concludes - that this initiative of Davenport, might be the way to the judiciary to investigate everything that has long claimed."

Source: livesicilia.it

Tuesday, March 1, 2011

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Philippe Davenport Davenport lawsuit Pharaoh: "For 150 years the unification of Italy? I run on Saturn "A winemaker



In the beginning, "Italy was an important producer of culture and without political clout, could give the command and other countries." A 150 unit of Italy, Philippe Daverio, journalist, writer and art critic, familiar face of RAI-3, has no doubts on artistic, cultural immeasurable in our country. "Today, however, Florence, city of art, lost 1000 inhabitants per year, Venice is a corpse, perhaps we need to rethink the weight of Italy in the world." But in a dimension strictly "saturnine, and as always, creative." Saturn comes out today, conducted by Riccardo Chiaberge culture insert. Every Friday, on sale with the fact newspaper, eight pages of books, art, cinema, music and science. But debates and controversies.

Done From The Daily

Sunday, February 13, 2011

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minister of culture is the final solution. Word of Philippe Daverio


source: intravino

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We would like to save a Daverio Culture

After the ineffectiveness of Bondi, a new trajectory. Without ideology
Edward Caprino

What a great country, Germany. Home of music, philosophy, theology. But even the law. And the people of this Charter provides for a fundamental institution of civilization: the constructive no-confidence. A government falls - in Parliament - when a motion of no confidence and yet it foreshadows a new majority (or a simple change of executive leadership). No crisis in the dark. All the sunshine and without unnecessary vacatio. If this applies to a government, much more can and must apply to a Minister. Judgement Day is approaching for the Minister Sandro Bondi, a man of government - perhaps go wrong - it was - until now - too much concentrated in the work within his party and less in the ministry - after Treasury - should be the most important in Italy. Instead the state of decay of this important sector of our nation - envied around the world - is more than evident.

The cries of alarm - not only of many intellectuals, but of the work force every day fighting the windmills - have been repeated in recent times. The misunderstanding with the minister Bondi Whole sectors of Italian culture - film and theater, for example - are made in the news. The absence of important moments of Italian culture - shows the Venice Film Festival, "First" of the scale - can not be justified (although there were ongoing votes in the Senate). The first hypothesis is the institutional presence of boos and protests. Are the risks of the trade. Honors, but also obligations.

If there is a need for a changing of the guard, with this article is intended to indicate an identikit ideal substitute: a passionate man of culture, actually omnivorous, able to communicate to a wider audience, full of genius, taste, sympathy, ability to relations with the world (including the gift of foreign languages). A brilliant and eccentric man - even in dress - capable of brilliant insights but far from the scene of shots sgarbiana memory. Who can be the Mister X? Philippe Daverio. The man already has experience of driving a Department of Culture - Milan and Palermo - is a passionate communicator and able to enthuse even the most remote in the world of art (just look at its transmission Passepartout conduction and its brilliant for the newborn Rai5). His style is elegant and eccentric not go unnoticed among his colleagues (recalling Andre Malreaux).

is a genuine European - or rather, Alsatian - and therefore at the heart of our continent. A man respectful and attentive at work - often conducted without means - of the various superintendents and directors of museums. In his broadcasts often has been able to make the most of the work of these true servants of the state. A man with his visions and intuitions would be able to give new impetus to the whole field of Italian culture, ready to dialogue with everyone, without exception, leaving aside ideology, or rather preconceived ideas.

Davenport would be from outside the institutional culture can give a stimulus to this sector so important to Italian life. Alberto Ronchey as it was and how it was - from the inside - Antonio Paolucci. Is this a dream, or rather madness? Perhaps, but even with this "ingenious" that a country can rise again.

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'Holiday Gold? A few jokes on the blood of taxpayers'

"The grave is that eventually those who remain are fucking their young. As always. "
Art Critic and journalist, but also in culture commissioner arrived Formentini, Philippe Daverio combines the experience of the student to the administrator. And the shaker with acute intelligence.
Daverio, here we go again with the usual recommended in the municipality of cheap apartments and public institutions.
"There's no joking. These are not buildings, are the blood of the taxpayer. Cosgulato blood is coming from there. "
And they end up elsewhere.
"The public stuff is sliced \u200b\u200blike a ham drittone comes first."
What's the answer?
"We are not sure she and I solve this problem. "
already talking about it and talk about it maybe can help.
"Well, actually begin to talk about it can have its own logic."
What's wrong with the institutions that fail to build on their heritage? What then is the heritage of us all?
"We must begin to find a method to determine a fair value to be given to buildings."
Whose fault is it still is not it?
'Municipalities in all of this have a big responsibility. The directors of institutions. Even if Milan does not seem to have behaved then so bad. Or not?.
There are houses in the Gallery that cost a few hundred € per month.
"It's true, but the problem is how these homes are required. Try to enter some backyards or in certain scales via Pellico.
More homes are in the Gallery.
"And here is the misunderstanding. Here the usual splash smart. "
Friends and friends of friends.
"clear that on this first misunderstanding comes the favor."
Of Affittopoli it comes in waves now recurring.
"Municipalities or agencies that are responsible for our blood coagulated, must be committed to enhancing the heritage. "
seem simple.
"Also because the only way to be able to get the most revenue. The rents are determined on a case by case basis, as well as sales. "
as would any private operator.
"Seeing those courtyards, one says," but I mica here we come to live. " And the price drops. Then maybe in ...».
From inside perhaps we overlooking Piazza Duomo and Piazza del Carmine and paid 800 euro per month for 100 meters.
"clear that if they are neglected, the products that government agencies put on the market can reach the market figures. "
And how do you mess with us?
"It happens too often that the tenants are the last to know that their house was put up for sale. Not good. It promotes things unclear. INPS and housing vacancies? Those are the pension money that are lost. "
There are laws and proclamations.
"The law on securitization is a mess. Which derives from the total lack of rules. After all, the rent control was much better. "
Sooner or later there's always the smart ones.
"Who is in the chain is inside, who's out is out. "
not nice.
'laxity and ambiguity are criminals. It is those houses are ours. They are our blood. "

Source: Ilgiornale

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If the museum becomes impossible dream

" Yeah, but all this happens in a non-EU country, 'says slyly, the art critic and star of Rai 5 Philippe Daverio . "The Vatican City legitimately aspires to take a jet, has always been there and I find nothing wrong. The question is: a story of artistic treasures, I never thought inaccessible. Not to mention of famous paintings in storage, they're there for good reason. The theme of the queues and waiting lists is misplaced: everyone gets busy for the four-event for the "Women in the Mirror" by Titian hangs in the Palazzo Marino in Milan, without remembering that for a while was in Mantua and almost no one had noticed. We want to mention, however, some wonderful museums that nobody ever visits? Those of Palermo? The formidable Palazzo Piccolomini in the countryside? The Galleria Corsini in Rome that big risk? These are the true cultural cases. "

Source: lastampa.it

Dry Skin Indentations

Rock Picasso

Article by Philippe Daverio Avvenire

In 1928, René Magritte paints a funny and bizarre that depicts a pipe under which is written "ceci n'est pas une pipe" (this is not a pipe ): in fact the case because the picture you can not smoke so it is not a pipe, but only its representation. The title of the painting is The betrayal of images. In 1912, Pablo Picasso had taken the opposite path: he had built with pieces of cardboard that an object called "guitar" but that does not look anything like the guitar, the evoked mentally, was obviously not playable, but was the glorification of the image. This first guitar derived an infinite series of sketches and small works that were looking ephemeral largely destroyed by neglect of the moment. The survivors are in these days to be a curious exhibition of 70 works that opens at the MoMA in New York on February 13 and will remain open until June 6. Very interesting. Picasso was a very special character. He used to tell his colleagues "do not take me in your office, if by chance you come up with a good idea, I will steal ..." which was just another version of his saying 'I seek, I find. "

And in those years the artist that most had had close Georges Braque, with whom he shared studio from 1911 to 1914 in such a blend of style and inspiration when they parted, according to many, were not always able to distinguish the paintings of one than the other. Braque perfectly represent the line of French art that glorified the 'art pour l'art', art as an end in itself, and then separated from any social issue, any policy that was not purely aesthetic. The ethics of the art "without ethics." It was emblematic of his painting of 1910 Violin, glass and knife, as was the "breach" of 1911, all broken, and how it will be many others depicting scores, tables, musical instruments. It was pure pleasure of painting where the allusion to music was not random because the painting asemantic aspired to become like music.

And Picasso seized of the issue, but it takes the warmth of his character, and with the heat, the irony. He also attended the music, the evaporation of his friend Erik Satie, who was not devoid of semantic dimension, indeed it was the constant quest for questioning, even the funny and irreverent, self-righteous values. And they were both in line with the culture of iconoclasm in Paris that he had found compact provocations of Ubu Roi, the play superprovocatoria Alfred Jarry and anarchic, and that would lead from there to very little, to the provocations of Marcel Duchamp.

Picasso then steals the violin to Braque. Do not forget his own Hispanic origin, much more to guitar to violin, which he still speaks a heavily accented French. Invent the guitar as a totem and gives a sense of the instrument played in the evenings among students and artists in Montmartre, makes it a sinuous body of the female within the Cubist grammar. And then he begins to play with the theme applied that generous and inexhaustible creativity. Why Picasso throughout his career will be formally only in appearance. For him, the bike is a fun way existential ride for life and his relentless surprises.

This leads him constantly to give up style just conquered and dominated for a new deal. And the friendships are just an additional tool for meetings, incentives and ideas. Through Satie meets the young Cocteau, who, in that same 1912 where they happen all colors and all sounds, it does show the way by his contemporaries, in his early twenties but already at the height of his fame, the dancer Nijinsky. The Russian reveals the key to success and modernity, saying "Monsieur, I am surprised."

All art from that time is a surprise. Picasso is surprised and surprising. So much so that from there recently abandoned Cubism, it is more rational first and then gives the neoclassical. In 1917 he was already with another artist and Cocteau and Satie, while many others in uniform gray drown in the swamps of the trenches on the Marne, while Celine writes the first lines of his novel and grim existentialist, Journey to the End of the Night, Sports a ballet scene of elegance and lightheartedness, Parade, which ends in a brawl with the criticism. The costumes by now already "late cubist" were on board, such as Picasso's first guitar.

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Letizia Moratti: Confessions of a mayor to be

According to Philippe Daverio you are without power in the hands of the lobby, driven only by ambition staff does not know the city has never been in the neighborhoods, knows nothing of normal people.
expecting for the appointment of Councillor for Culture. I did not oblige.

Source: landscape

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Philippe Daverio ArtistInMostra

Three separate awards will recognize the value of the artists exhibiting in the event of Parma. Each expressed the opinion of people each different type of approach, experience, of interests, critics, gallery owners, the public visitors.

Sunday, February 27, at 12
with the participation of Philippe Daverio
- assignment critics' prize - awarded the prize of the gallery

make up the committee of the critics' prize (€ 5,000 on purchase of ' work): Giovanna Cassese, director of the Accademia di Belle Arti di Napoli, Eugenio Carlomagno, Director of the Academy of Fine Arts of L'Aquila, Richard Romagnoli, director of the Academy of Fine Arts in Santa Giulia di Brescia, Silvia Casanova, journalist Art for Today, Pier Paolo Mendogni, art critic of the Gazzetta di Parma. The
Award Committee of the gallery consists of three players representing three different areas of the market: North, Central and Southern Italy. In addition to the purchase of € 2,500 prize, the winner will also be involved in the illustration of an art book for children, which will launch the first volume of the new series of Campanotto Publisher.

Sunday, January 23, 2011

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Collections Passepartout? read on ... Back

One of the requests that you care about most is to exchange points of Passepartout. For many of you have received the lists of episodes you've recorded.

Then
.

Given that we share, (re) we start with the exchange of records.

simonttx@gmail.com Send to your list of bets.

To continue reading this post, click collection.

Saturday, January 22, 2011

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Friends Philippe Daverio

After some months of absence, returns to the blog and friends of Philippe Daverio.

remind everybody that this site has no direct connection with Professor Davenport.

Wednesday, January 19, 2011

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Bonomi, Colonetti, Davenport Dorfles and present "design in Italy" in three years

On the occasion of the 'Design in Italy' (written by Valentina Croci and Portia Bergamasco, edited by Aldo Colonetti and published by Giunti), Aldo Bonomi, Philippe Daverio Dorfles and analyze the origins, development and the current Made in Italy's identity as a social phenomenon and not just aesthetic and stylistic.

tables, cars, clothes, lamps, chairs as well as jars of Nutella, Tetrapak, calendars, sports equipment ...: without knowing we are all art collectors! Our lives are filled with objects created by the fact that 900 signatures have made Italy great in the world.

Italian design is at the top of international creativity and objects made in Italy can be found in homes, but also in schools, offices, roads, hospitals in the five continents ...

A successful result from four basic elements - functionality, style, attention to materials and manufacturing process innovation - that draws our attention to designers and entrepreneurs to major museums in the world.

of this and future of Made in Italy speak Aldo Bonomi, Aldo Colonetti, Philippe Daverio, Dorfles within Triennale Design Museum, natural place for a debate on a very topical theme from the cultural, social and significant economic impact.

Wednesday, January 19 at 18:30.

Saturday, January 15, 2011

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Reflections on the Kingdom of Two Sicilies with Philippe Daverio

We have always said that the unification of Italy was accomplished in the name of''fervent united will of the Italian people''and that the Piedmontese were to''liberate''the southerners from backwardness, corruption, parasitic and semi-feudal system of the Bourbons.

But was it really so?


With a speech entitled "Save Italy, "Reflections on the Kingdom of Two Sicilies, the noted art historian Philippe Daverio, known by the general public for his television program" Passepartout ", was last night in the foyer of the theater with him Petruzzelli journalist Vinicio Puglia Coppola.


will conclude the meeting, held within the exhibition "A table with the Bourbons. Tasting and discussion on 150 years of history from the Kingdom of the Two Sicilies ", an exhibition of the" Soloists of the Teatro San Carlo di Napoli "presented by Paula Mitrache.


Culture and solidarity are often intertwined. In fact, last night, January 14, the cellar Cianna Cianna (Old Bari), was held on fund-raising gala, "The rediscovery of the menus Bourbon, where they were repeat the recipes with great taste and refinement that will keep the tables of kings and noblemen, Facing what were the dishes instead of the poor.


The proceeds will be donated to the Sisters of Mother Teresa of Calcutta.

Friday, January 14, 2011

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Christmas at home like a picture of Berlusconi '500

The family photo of the Prime Minister published 'Who' seen by art critic Philippe Daverio: "The prime minister sits in the center as Christ in 'Wedding at Cana' by Veronese. The trip is a true piece trash: simplify what is courtly "

A rich Christmas table, the Prime Minister in the center, to his right, Don Livio, the cousin priest. All around the festive family , photographed from above. They make the rounds of newspapers and websites photos of Christmas at Berlusconi, published in the weekly family 'Chi'.


A 'evocative image, iconography strong impact, which recalls the paintings of scenic system of the '500 Venetian or portraiture of 700. We asked to comment on Philippe Daverio, art critic, former Councillor for Culture of the Municipality of Milan in Formentini junta from 1993 to 1997 and conductor of the transmission of art Rai5 Mat.
"This shot is a great anthropological document - Davenport says - is the film that Bunuel has never turned on the charm 'indiscreet' of the bourgeoisie."

If the photo had to pull over to a painting which would it be?
No doubt the "Wedding at Cana" by Paolo Veronese ( see the picture). The prime minister is seated in the center just like Jesus, but embodies all the figure of Christ, even that of the pater omnipotens, with his hands up. Behind the table, the pictures depict the columns exactly recall the background of sixteenth-century painting. This book is the result of a true genius of communication.

The table set is not the food. Why?
Why not capture a real moment, but this is pure fiction, is a stage. We are the servants, as part of the Veronese, but there are dogs that can not stand the middle class. And the Prime Minister, with the fur collar that seems, is a true Renaissance prince. This shot is a masterpiece of trash.

Paolo Veronese becomes trash?
Exactly: the hallmark of the trash is precisely to reach the extreme simplification of a courtly model. Are translated, in a parody, even the most high. In this picture there are the wedding at Cana turned into vaudeville. All of our era will go down in history as the era of trash.

Should search for an image just as significant for the opposition? I would say
Massimo D'Alema, disguised as a manager in Saint Moritz. Again, everything becomes a caricature, there is nothing true.

Source: sky.it

Sunday, January 9, 2011

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The turning point: Milan now pursues the three cities

Davenport: This is the only city in the Italian international. Rome and Venice the most beautiful.

The New York Times promotes Milan, Italian only city among the 41 best places to visit in the world, according to the classification of the newspaper Stars and Stripes. The Lombard metropolis is a close fifth. Milan better than Rome, Florence and Venice, the city of art par excellence? And again: which of the three cities throw from the tower to make way for Milan? We turned the question to three members of the Milanese culture:

Philippe Daverio, art critic, television presenter and former Councillor of Culture Milan, Carlo Fontana, a former superintendent of La Scala and Andrée Ruth Shammah, a theater director and founder of the Franco Parenti. None of the three bring himself to promote Milan against Rome or Florence or Venice. Davenport, however, observes: "Milan is the only Italian city with the breath of an international metropolis. She told me many times also the director of the Royal Academy in London, Sir Norman Rosenthal. " The art critic of French origin, who lived ten years in the Big Apple, adds: "The attention of the Italian media to the place occupied by Milan in the standings of the New York Times "I confirm the provincialism that exists in our country. We depend a lot on what they say and think of us especially in the United States. "

provincialism aside, Davenport does not see great strides in Milan from a cultural perspective. Still, the exhibitions held in the city in recent years have seen a public record and the new Museum of the twentieth century has received unanimous approval. Or not? Davenport smiles: "If the journalists of The New York Times have included Milan in fifth place on 41 places to visit I do not think it depends on the opening of the Museum of the twentieth century. The capital Lombard is a popular city for business for many New Yorkers, who are here for the first time can taste the pasta to perfection, not like eating in the Big Apple. The promotion of Milan is also the result of these particulars. " So much. In the game of "what city art throw down from the tower to make way for Milan 'is even more severe the former La Scala superintendent Carlo Fontana," throw it down to Milan. I am milanesissimo, but the three cities are unmatched in the world. I'm glad this award given to my city by the New Tork Times, but Rome, Venice and Florence are not afraid of comparisons. "

The director Andrée Ruth Shammah, Meanwhile, overseas cheers for the verdict: "Milano finally at the top, and as usual the first not to notice us. How to throw down from the tower do not think anyone either. Yet still put down people, but a city ... Seriously, Venice is beautiful, Rome and Florence, too, but I say, no bring down anyone that Milan is the first and the other down all three. He says my heart of Milan. "