Chiisa Na Bokura No Ooki Na Heart Load

surprise coming for my readers who love thrash

Sorry for the lack of fertility in the last period, but I am preparing a surprise for all my readers who love thrash (I hope that there are ...) that will make you squirm!
Wait a bit 'and will not be disappointed! What am I
preparing? I only say that it is a scandal that a documentary-which is NOT Metal: A Headbanger's Journey! - Has not been translated into Italian ...
WAIT ON ... um ... ROCK ON! I assure you-that-will remain occupied by "Pornograffitti" for months!

After a shaky debut as explosive as in 1989 when the funk is still largely overshadowed by the influences Van Halen in 1990 comes the consecration to the general public. The solos are so elaborate and original, Nuno Bettencourt (guitar) is accepted-just-as the new Van Halen, Gary Cherone's voice will never be so perfect, the fund consists of rhythmic Pat Badger (bass) and Paul Geary ( battery) is accurate, original and engaging. And as we highlight a series of texts centered mainly on the "sex" (but should be?), Accompanied by sweet ballad that, as mentioned above, launched the band in the rock firmament. we are introduced to our travel time by a merciless and masterfully played by Bettencourt from the floor in an intro that suffused the first listen might suggest "what the hell ...?". Do not worry, the riff of "Decadence Dance" leaves no room for doubt: it starts with a bang! The dance of decadence is a hymn against envy and competition in the daily life of brmaosia accompanied by a musical ground absolutely incredible. Impossible not to lash at his own pace. So, get sauced. It's an order. The following

"Li'l Jack Horny" ("The horny little Jack") tells you the tragicomic experience that Jack thinks only fun until ... there is no escaping the baby! The horn section of Rick August brings a song that alone would be worth buying the disc. And here is the first of my favorites: "When I'm President" is the perfect mockery of all the election promises given to us in times of elections. Gary wants to become president of the promise of heaven and earth, reaching even to quote Alice Cooper ("I Want to Be Elected!"). Unfortunately, listening to the piece you will not have the promise of world peace, but at least you will have fun as hell with lots of good metal funkeggiante! If you do not like what you've heard so far, "Get The Funk Out! Another stroke of genius made in Extreme. There spoil the surprise, watch the video below and you will see for themselves that we are stratospheric levels. At the rear you will find a medley of citations, you have fun! And here is the acclaimed (if not disgraced) "More Than Words", acoustic ballad strappamutande simple but perfect. If you want to win a girl and know how to play the guitar is the piece for you. It
ironically praising the money with "Money (In God We Trust)". Al-le-lu-ja! Delirio guitar, chants and more 10 and praise. Sorry
finesse: we talk about fucking with "It ('sa Monster)". According to my favorite piece, in part to the text: "It's a monster, a monster! Us into sinners It's a moooostrooo." Especially the irresistible funk that encompasses these state of the art sinful words.
And go to the title track! Probably "Pornograffitti" is not only the best episode of the disc, but the entire landscape funk metal. Incredibly compelling, and memorable technique, talks about how sex today is no longer the pinnacle of love, but a mere object of the market without meaning, like any other commodity. "Sex sells!"
"Suzi (Wants Her All Day What?)" Is about a girl with loose morals through bold lightheartedness and a lot of musical metaphors. Its lightness prelude intro of "He-Man Woman Hater": "Flight Of The Wounded Bumble Bee", delirium solo at the speed of light that revisits "The Flight of the Bumblebee" by Nikolai Andreyevich Rimsky-Korsakov. Unfortunately, it is fused to the song, and over time can break the boxes that you jump if you want it to go fast-forward force. On the other hand, "He-Man Woman Hater" will amply repays the wait with a stellar riff and a text that will be widely shared by those who have had bad experiences with girls, and, thanks to its brutal truth, the girls themselves: us we have only one thing on his head and "sooner or later become a man who hates women" because "we can not live together but die without it."
It ends with two ballads: the wistful "Song For Love" that speaks of lost love and forever beautiful and dreamy "Hole Hearted".
Unfortunately, the disc is finished, but thanks to "Pornograffitti" began in the early 90's pushed all the funk metal trend that will be born soon.
We had already strongly recommended the purchase in the queue to the review of the dull "Saudades De Rock Extreme the same: after this review you have no more excuses!








02. No Way But The Hard Way 03. Blonde, Bad and Beautiful

04. Raise The Flag 05. Bottom Of The Well

06. White Line Fever
07. It Ain't Over Till It's Over
08. Steel Town
09. Chewin' The Fat
10. Get Busy Livin'
11. Armed And Dangerous
12. Overdrive
13. Back On The Bottle
14. Loaded Gun (bonus track)
15. My Dynamite Will Blow You Sky High (And Get Ya Moanin' After Midnight) (bonus track)
16. Rattle Your Bones (bonus track)
17. Kickin' It Old School (bonus track)
18. Devil's Child (bonus track)

Recently I came to the sketch for the Beatles and, in addition to having rediscovered many of their historical passages, I found this irresistible tribute album chock full of signatures hired!

Released four years ago now, "Butchering The Beatles" (literally "butchering the Beatles" is aligned with the cover of "Yesterday and Today") contains twelve classic hard rock with key rearranged in an exciting result! None of the original music has been distorted, but even if you like rock, heavy (almost) all got a little something extra. I think so on the cover: it is useless for a cover equal to 99% of the original song, what is the point? Then I play the original! So we welcome trials, digressions, masturbation, etc., just that obviously the end result is a crap.

Eric Singer (Kiss, Alice Cooper) replaces beating battery on the plane taking off at the beginning of "Back In The USSR" (1968, album "The Beatles" also known as the "White Album" by his nickname, took inspiration for the Metallica "Metallica" in 1991, then nicknamed "Black Album"), while the voice dall'acool and destroyed by the smoke of Lemmy (Motorhead) bastardizes the song to perfection and John 5 (ex-Marilyn Manson, Rob Zombie) clocking bad as ever on the guitar . Once again, great musicians and great results.

follows a smooth "Lucy In The Sky With Diamonds" less acid in the original (the famous "Sgt Pepper's Lonely Hearts Club Band" , 1967) by the great Geoff Tate (Queensryche) on vocals, the perhaps-too-overflowing Michael Wilton (Queensryche) and Craig Goldy (Dio) on guitar, Rudy Sarzo (Dio) on bass, Simon Wright (Queensryche) on drums and Scott Warren (Dio), to the essential keyboards. Remember the speech on the covers before? Here, this song falls to 80% between the cover useless.

The trip to the Orient "Tomorrow Never Knows" (from "Revolver," 1966) is strengthened to make it almost unrecognizable from the company rewarded Billy Idol, Steve Stevens (Billy Idol Band guitars from, look for the work of this guy! For example, "Atomic Playboys"!), Blasko (who playing bass with Ozzy Osbourne and has nothing to do with that bad of Vasco!) and Brian Tichy (Billy Idol's drummer). Pleasant.

The easygoing "Magical Mystery Tour" (homonym album, 1967) is brutally crippled by the stain to Yngwie Malmsteen guitar. Too bad, because the general effect is excellent and the musicians are first-order: Jeff Scott Soto on vocals (Yngwie Malmsteen, Soul Sirkus, Journey, WET, Talisman ... this man is worse than the parsley!), Bob Kulick on guitar rhythm (Meat Loaf, Paul Stanley), Jeff Pilson on bass (Dokken, Foreigner) on drums and Frankie Banali (WASP, Quiet Riot). Enough, even for the unnecessary lengthening always part due to delusions of leadership of Malmsteen.

Applause instead for "Revolution" (single, 1968, with "Hey Jude"), brilliantly re-read style blues by Billy Gibbons (ZZ Top guitar and vocals), Vivian Campbell (Def Leppard guitarist), Mike Porcaro (bass Toto), Greg Bissonette (David Lee Roth and drummer Ringo Starr) and Joe Fazzio (Superjoint Ritual by, he on drums?). All

to Scapellato big with "Day Tripper" (from the single "Day Tripper / We Can Work It Out" of 1965), fun with the voices of Jack Blades (Night Ranger, Damn Yankees) and Tommy Shaw (Styx , Damn Yankees), guitar Doug Aldritch fat (Whitesnake, God), the low Marco Mendoza (Whitesnake, Thin Lizzy) and drummer Virgil Donati (Steve Vai, Soul Sirkus, Planet X).

The quiet "I Feel Fine" (from the single "I Feel Fine / She 's A Woman" in 1964) is with great joy of our ears earthquake by John Bush (voice of Anthrax), Stephen Carpenter (Deftones), Mike Inez ( bassist for Ozzy Osbourne and Alice In Chains) and John Tempesta (The Cult's drummer and Testament), becoming a piece punkeggiante very atomic!

The beautiful "Taxman" (from "Revolver") in my opinion it is very successful well because of the particular voice of Doug Pinnick of Kings X, because the music department is great: even Toto's Steve Lukather on guitar, Tony Levin of Peter Gabriel and John Lennon on bass and Steve Ferrone of Tom Petty and Eric Clapton to the battery ! But this criticism is due to a very subjective personal opinion, and beautiful cover!

In my opinion, however, the most successful cover of the disc is "I Saw Her Standing There" (from the debut album of the Beatles "Please Please Me" in 1963): A tornado rock 'n' roll to the work of people who knows the way! I'm talking about John Corabi (former singer of Motley Crue and The Scream, now in the militant Union) ispiratissimo, a Phil Campbell (guitarist of Motorhead) "what I tell you to do," a CC Deville overflowing (guitarist of Poison), a Chris Chaney is a metronome (bassist of Jane's Addiction) and Kenny Aronoff possessed (drummer Bon Jovi and Smashing Pumpkins)! Orgasmic!

Tim Owens (former Judas Priest, ex Iced Earth, now solo), George Lynch (Dokken and Lynch Mob guitar), Bob Kulick, Tim Bogart (bass player for Vanilla Fudge and Beck, Bogert & Appice) and Chris Slade ( drummer in the AC / DC) we offer the best in the shorter version and the vocals 'judaspriestiane' of "Hey Jude" (the single "Hey Jude / Revolution").

In closing, we find a spectacular "Drive My Car" (from "Rubber Soul" in 1965) signed Kip Winger (Winger), Bruce Kulick (guitarist of Kiss and Grand Funk), Tony Franklin (bass player for Whitesnake and The Firm) and Aynsley Dunbar (Whitesnake and Journey drummer in) that will make you move your ass worse than the original! Closing with a bang!

Usually I do not like taxes because they often are-ironically-an end in themselves, but here the situation is different: the music coverizzata is among the best, if not THE best, the artists involved are top of the top and the result is simply to praise (of course, would welcome a cover of "Helter Skelter" or "Eleanor Rigby", but ok, ...).

If the Beatles were born today, probably some of the cuts would be so, trust me.

From now on these virtual pages, read reviews, movie-themed rock / metal! Happy, right? The film we will examine is the first "Metal: A Headbanger's Journey", a documentary film by the very talented filmmaker Sam Dunn that will take us step by step to discover the roots of fashion, style life and, of course, in our kinds of music: heavy metal!

Dunn has a degree in anthropology, which will make the documentary even more interesting, presenting the various arguments from different points of view very intelligent. After the success of his first opera, also directed "Global Metal", a kind of sequel that deals with the interesting relationship between the metal and the peoples of the world, and the DVD of Iron Maiden's "Flight 666".

After having discussed the historical roots of metal and rock (even starting from Wagner!), Will examine the various genres and sub-genres with a lot of very interesting concept map, from classical to rock to get to the most modern solutions, with an eye to the controversial Norwegian black scene. There's even a chapter on the groupie! Many musicians are interviewed: the staid Tony Iommi, Ronnie James Dio the amiable, the most likeable Bruce Dickinson, the absurd Gaahl, Slipknot, Dee Schnider and missed his story (Metal against PMRC in the chapter on censorship!) the tragicomic Mayhem, Cannibal Corpse the simpletons, the charming Doro Pesch, Slayer, the great Alice Cooper, Lemmy evergreen, the Girlschool ... a lot of really good (and bad) people of the trade!

Another very important thing: Dunn is not one of those pundits who believe they have the truth in hand, but travels around the world collecting testimonies of artists and fans (who have a chapter), avoiding to offer an analysis already "digested" to get you to your own conclusions (a memorable phrase that closes the film, surrounded by a mob at the Wacken Open Air festival in the background with the Bridge Master of Puppets "If the metal does not give you the hit of overflowing energy and does not make you hair stand on end in the neck, could never do . And you know what it 's okay, because judging by the 40,000 metalheads around me, we're just fine without you. "). Moreover, the direction is excellent, offering a streamlined travel, fun, exciting to be followed and sometimes even evocative: there are some glimpses of Denmark to take your breath away.

Only problem: "Metal: A Headbanger's Journey" never arrived in Italy, so it is in English.

Somewhere around the network, you should be able to find subtitles in Italian: find them, you can not miss this show!

There were once almost the inventors of the thrash. "But how?! They were not the inventors of the thrash Metallica?"

I said "almost" means one of the founding members of Exodus included self Kirk Hammett (who then left them to jump on the bandwagon, Metallica) and started a. .. "Invent" one or two years before the 'tallica. But they were outclassed by the class composition of Hetfield, Mustaine, Ulrich and Burton, who first came to success.

The Exodus is considered by many to be the only true thrashers, because of their direct and uncompromising style. With the traditional line- Paul Baloff (vocals - RIP 2001), Gary Holt (guitar), Rick Hunolt (guitar), Tom Hunting (drums) and Rob McKillop (bass) recorded the legendary "Bonded By Blood" in 1985, spread in world market. "That's right, their historical album Bonded By Blood! What we care about Fabulous Disaster? " Exactly," Bonded By Blood "needs no introduction as everyone knows, and" Fabulous Disaster "is an album in some ways better than that very few are aware of.
Already by the second album" Pleasures Of The Flesh "(a few ideas lily-exploited and worsened by a bad production) in 1987, changing training: Paul Baloff exuberance is replaced for reasons of alcohol by Steve 'Zetra' Souza (first in the Testament, in which gave way to Chuck Billy ): this allows to take a step forward in terms of music, without abandoning the vocal style inaugurated by Baloff.

The following "Fabulous Disaster" lyrically and musically embodies the philosophy of Exodus contained in the phrase 'Good Friendly Violent Fun': lots of music powerful, direct, violent and bloody funny. The concerts of the Exodus were famous for the fans, at the request of the singer's turn to smash everything and smash everything. That is the only place to play early career had barbecue on the beach or garden parties. When the song "Bonded By Blood" reads 'there's blood upon the stage', was not a metaphor.
Returning to music, while their debut album was so beautiful, but very hard to digest in one go, this third work is a pleasure that goes by without giving up anything. The production is clean and sparkling, able to bring out each note without compromising the violence of the final product.
"The Last Act Of Defiance" part of speech with a tirade against the inefficiency of the prison system (and believe me, after studying for the examination of Criminology know something: they are holy words) and then charged with the classic thrash rhythm body-heart-pounding snare for three minutes.
"Fabulous Disaster" is another burst of anger by a riff that can not be defined in any other way than 'massive, dissonant' followed by a change you time and a second anthology riffs.
be driven by the disc, however, is the fantastic "The Toxic Waltz" which also received a decent airplay on MTV. I discovered this album thanks to this song, which hits from the first listen: Can not squirm during the chorus! Crazy and the final cadence just perfect!
And here's the strange part! "Low Rider" is, thanks to its engaging bell, a white fly in the repertoire Exodus, a rare example of thrash 'for all' as it would make no more.
Much the same applies to the swampy Cajun Hell ": blues and country atmosphere in a thrash song?! Fuck, yeah! With the long
"Like Father, Like Son" is back on sound standards: eight minutes of madness metal-rich old-style tempo changes and great ideas. If you are looking
wickedness typical of Exodus at the time, here it aservita on a silver platter with "Corruption." On this record holt and Hunolt are really in a state of grace! They manage to weave solos and riffs anthology as if nothing had happened!
The ride continues with the unsettling "Verbal Razors", four minutes when you feel like a snail without a shell in the wind tunnel. I do not know if I get the idea, but the riff is applause. Excluding the bonus
excellent cover of AC / DC, "Overdose", the album closes with "Open Season": once again no finish, no frills, just thrash-metal pulping drums from producer to consumer!
Unfortunately the next album "Impact Is Imminent", despite having some good ideas, it is not at the level of noble predecessor: in it as in "Force Of Habit" You have a wicked sound of an end in itself, not accompanied by the search for new solutions. Exodus then disappear from the scene (problems with the label) until 2004, when they return with the violent "Tempo Of The Damned", and continue to Zetra replacing Rob Dukes (not to mention the tumultuous events of the rest of the training, the only Holt remains fixed member) and the publication of the more violent "Shovel Headed Kill Machine" (2005) and "The Atrocity Exhibition: Exhibit A" (2007), by doubt artistic value and secure market value.
In conclusion, waiting for "The Atrocity Exhibition: Exhibit B", which according to the same Holt will be less heavy the first part, go to dust off this old masterpiece corresponding to the name of "Fabulous Disaster".

In a surprise arrival from Sweden's HEAT, five young strangers who have received acclaim almost everywhere. Kenny Leckremo has a fantastic voice, Dave and Eric Rivers Dalon can build riffs and solos of the weave of the best bands of the '80s, Jimmy Jay is simple and accurate low, Jona Tee does his duty on keyboards and a drummer Crash imaginative and nostalgic at the same time. winners of the festival Musik Direkt 2004, Rock SM modern equivalent of that for young Swedish band with just over twenty years ago he launched the Europe, have already opened shows for legends of rock like Alice Cooper, Toto and Hanoi Rocks (with an album of gender was to be expected).

After a look at the cover so obvious what inspired the short "Intro" gives you literally welcome aboard Flight 'HEAT' and then immediately take off with the spectacular "There For You", choirs and solo shot to remember. If you are of those rockers who still yearn for the melodic rock bands that have made the fire and flames in the '80s, this album is definitely for you. From the first song, the atmosphere is at most, the feeling oozes from every note and nothing is superfluous, everything has its place in this fantastic album!

follows the more rhythmic "Never Let Go", another jewel of indescribable beauty that will make you only as gassing some old classics of the eighties could have been. Try to emphasize the great vocal performance. "Late Night Lady" could have been written by Danger Danger's heyday: rock blues accompanied by yet exceptional chorus rips ears, one of the best album. indescribably beautiful even after "Keep On Dreaming", halfway between Vixen and Journey, written for the massacre of uvula do on stage. His riff pacchianissimo supported by synth is both simple and impossible to forget (I'm humming throughout the day!). "Follow Me" is a classic power ballad sexy define all of those "obvious", but few can write!
relentless beats and chorus to sing in the shower are the trademark of "Straight For Your Heart", much more assertive of the songs heard so far, and certainly among the most successful.

The only comparison that comes to "Cry" and "Carrie" of Europe: slow slow riffs and sweet cake, but with its fair share of melancholy chorus of applause.
Go back to travel on fast pace thanks to "Feel It Again" that initially may seem all too similar to the two previous pieces, but then develops slamming into his face and sexual cazzutissimo DNA.
Ritmo! Rhythm and atmosphere! Only that you need to know to frame "Straight Up", another piece chain adorned with a carpet of very bluesy keyboard.
"Bring The Stars" is loaded like a spring and you will explode in the face with yet another perfect chorus.
"You're Lying," written by David Coverdale seems more inspired wins the prize for best piece of the disc with your eyes closed. Can be found on youtube the outtake
"Fill Your Head With Rock"
.
It closes with the overflowing "Feel The Heat". You do not need to describe it, so you got the hint.
As I said above, not a note out of place, and perfect ispiratissimo solos, vocals and choruses from uncontrolled orgasm ... these five guys will also be the last to arrive and could be accused of lack of originality, but after all, who is original nowadays? And if you are of those people who drives like that snob just because you call "heavy metal" and do not accept anything that is not violent and brutal, then let him say a club you do not understand why you're missing one of the most successful albums of melodic rock of last thirty years. Order
the HEAT and keep the CD with care. At the address

http://www.heatsweden.com
find their official site, very useful to keep abreast of these great guys. Over and out.
not being found video of decent songs on this album, I propose to their performance in the final of Melodifestival in 2009 in Stockholm. The song title is "1000 Miles" and was released as a single.

Does Bladder Cancer Grow Quickly

New year, new skin! Problems at home

Winds of war blow in the thick foliage of the dilapidated Aerosmith!
The super group should have entered the studio to record their first studio album since "Honkin 'On Bobo" in 2004, but the singer Steven Tyler said he did not want to know Aerosmith for at least the next two years: it seems would like to concentrate on his solo projects. If

Joe Perry, guitarist of the historian, was not tender must be that Aerosmith will go ahead with or without Taylor, the other guitarist, Brad Whitford, has even floated the idea that the strange behavior of the singer is due to a his relapse into drug addiction that afflicts practically forever. Excluding hits the last scene of the second, the future of Aerosmith seems darker than ever.

I leave you with the last new song released in the best of "Devil's Got A New Disguise" (2006).





m'è finally got the disc of the band corresponding to the "T" of the "WET", the Swedish rockers Talisman. Sorry for the wait and in with the band's history and review of this little masterpiece corresponding to the name of "Humanimal! The Talisman born in the mid-80s to the will of bassist Marcel Jacob, who has worked with artists such as Yngwie Malmsteen and John Norum.

hired the great Jeff Scott Soto to the microphone (the other band members were never fixed, practically, for more information go here

), the damage Talsiman in 1990 to press their self-titled debut, thanks to songs like "Break Your Chains "and" I'll Be Waiting ", the band begins to make a name, and although the album is great, not yet in sight for an original sound and precise. In the following, "Genesis" instead of 1993 is starting to refine the winning group, but will explode in all their power until the next "Humanimal. You may have noticed that "part 1 & 2" in the title of the review: The album for the Japanese market was restructured and some pieces in the original were replaced with songs originally discarded (the Talisman mixarono and recorded as many as 22 songs in 22 days!). Then, over the main album, was brought out of the "Part 2" contains extra songs in the Japanese market and, more recently, the album was reissued on two discs that contain both sides. We said the turning point in the sound: leaving behind echoes sometimes pompously malmsteeniani, the Talisman offer us a fresh hard rock, sparkling, some funk and melody of sure grip with the perfect chorus. In opening the disc we find a fabulous "3233 + Colour My XTC" (where "XTC" stands for "Ecstasy" if you read the letters with the English pronunciation) with its lovely arpeggio which soon results in a funk 'n' roll of the highest quality. "Fabricated War" is much more oriented towards classic rock, but no less successful, rich as it is adrenaline-charged.
Groove in spades with "Tainted Pages" features that allow more reasoned pace to capture all the nuances of a sparkling piece and at the same time, in a sense, darker.
"Reality TV" crowds out since the start and after the introduction of peculiar bursts in all its power. For comparison, remember a few pieces of Living Colour (do not know who I am?! Shame spun to buy their first three album!).
"Seasons" is a mix of emotions surrounded by a riff fabricated to mature. And 'time with the ballad "All + All" obviously very sweet and full in the canons of the genre rock ballad. Soto applaud the very vocal and articulate and never granted. plunge back to lead us in listening to more sexual funk "DOAPS, and explosive charge as a spring in his solo simple and straightforward. If
in Talisman is also a bit 'of malice, it sure is fully represented by "Blissful Garden", dark and compelling, and one of the most original episodes of the disc.
"Lonely World" bursts at full speed, giving a good example of a balanced mix between fast rock, AOR and funk. Exciting. With
"Delusion Of Grandeur" we are on very high levels that reveal in full the incredible compositional skills and inventiveness of the band.
"Since You've Gone" is obviously the second ballad, acoustic, sadder and much more successful "All + All".
"Humanimal" is coming soon (but really just now) think of the Scorpions. And, heck, not a bad thing! The piece is super charged and definitely a success. In
end of the first CD, complete change in gender with the following "Doin 'Time Wit' My Baby", a classic ballad, rockabilly fun and, as part of the disc, refreshing.
The second part opens with the hard driving rock of 'Animal Ritual ", the more' standard 'than heard so far, but also among the most successful piece.
breath to read the next headline: "You Can not Escape From The Revelation Of The Identical By Seeking Refuge In The Illusion Of The Multiple is a mid-tempo semi-acoustic full of surprises in two minutes fulminating mixture of 'fast-rock outro funk-rock ballad 'introduces you to the following "My Best Friend Girl", concentrated solar impact.
With "Dear God" we turn to God in a simple and compelling, then move on to "Hypocrite," pure adrenaline and another center of this fantastic album.
"R" Wasting Time "is not a simple song, it's class. Point. And less evil that had rejected the album! Other title
ending with "To Know Someone Deeply Is To Know Someone Softly", ballad unusual (and definitely not perfect) from feeling vaguely ethnic.
It closes with the much lighter than pleasant "Y Todo Todo".
In 1996, after a troubled gestation due to problems of mixing and labels, Talisman publish the valuable "Life" album followed by a pause of three years in which each member has pursued his musical interests and not. In this period, Talisman did not support the album with a tour, except by opening some shows for Malmsteen.
In 1998, he sees the light "Truth", which contains several cover ("Darling Nikki" by Prince

"Let Me Entertain You" by Queen and "Frozen" by Madonna, who achieved much success in the German club. Mah) a frame of another good record. Still no tour support. After several
mess that I am not telling the Talisman publish the excellent "Cats And Dogs" in 2003 and their last album, "7" in 2006.
To date, the band broke up and 90% chance of reunion seem cut short after the suicide of forty-five Marcel Jacob (July 21, 2009), plagued by personal problems and health. Suicide
that is in addition to the long list of famous deaths and suicides that occurred in the rock world in the last two years (remember all between Kevin Dubrow, lead singer of Quiet Riot died of a drug overdose, and Pepsi Tate of Tigertailz bass player died of cancer of the pancreas).
The only thing that can console is that life is fleeting, while the music is eternal. And fortunately, these artists have left us much good music.