Recently I came to the sketch for the Beatles and, in addition to having rediscovered many of their historical passages, I found this irresistible tribute album chock full of signatures hired! 
None of the original music has been distorted, but even if you like rock, heavy (almost) all got a little something extra. I think so on the cover: it is useless for a cover equal to 99% of the original song, what is the point? Then I play the original! So we welcome trials, digressions, masturbation, etc., just that obviously the end result is a crap. Eric Singer (Kiss, Alice Cooper) replaces beating battery on the plane taking off at the beginning of "Back In The USSR" (1968, album "The Beatles" also known as the "White Album" by his nickname, took inspiration for the Metallica "Metallica" in 1991, then nicknamed "Black Album"), while the voice dall'acool and destroyed by the smoke of Lemmy (Motorhead) bastardizes the song to perfection and John 5 (ex-Marilyn Manson, Rob Zombie) clocking bad as ever on the guitar . Once again, great musicians and great results.
follows a smooth "Lucy In The Sky With Diamonds" less acid in the original (the famous "Sgt Pepper's Lonely Hearts Club Band" , 1967) by the great Geoff Tate (Queensryche) on vocals, the perhaps-too-overflowing Michael Wilton (Queensryche) and Craig Goldy (Dio) on guitar, Rudy Sarzo (Dio) on bass, Simon Wright (Queensryche) on drums and Scott Warren (Dio), to the essential keyboards. Remember the speech on the covers before? Here, this song falls to 80% between the cover useless.
The trip to the Orient "Tomorrow Never Knows" (from "Revolver," 1966) is strengthened to make it almost unrecognizable from the company rewarded Billy Idol, Steve Stevens (Billy Idol Band guitars from, look for the work of this guy! For example, "Atomic Playboys"!), Blasko (who playing bass with Ozzy Osbourne and has nothing to do with that bad of Vasco!) and Brian Tichy (Billy Idol's drummer). Pleasant.
The easygoing "Magical Mystery Tour" (homonym album, 1967) is brutally crippled by the stain to Yngwie Malmsteen guitar. Too bad, because the general effect is excellent and the musicians are first-order: Jeff Scott Soto on vocals (Yngwie Malmsteen, Soul Sirkus, Journey, WET, Talisman ... this man is worse than the parsley!), Bob Kulick on guitar rhythm (Meat Loaf, Paul Stanley), Jeff Pilson on bass (Dokken, Foreigner) on drums and Frankie Banali (WASP, Quiet Riot). Enough, even for the unnecessary lengthening always part due to delusions of leadership of Malmsteen.
Applause instead for "Revolution" (single, 1968, with "Hey Jude"), brilliantly re-read style blues by Billy Gibbons (ZZ Top guitar and vocals), Vivian Campbell (Def Leppard guitarist), Mike Porcaro (bass Toto), Greg Bissonette (David Lee Roth and drummer Ringo Starr) and Joe Fazzio (Superjoint Ritual by, he on drums?). All
to Scapellato big with "Day Tripper" (from the single "Day Tripper / We Can Work It Out" of 1965), fun with the voices of Jack Blades (Night Ranger, Damn Yankees) and Tommy Shaw (Styx , Damn Yankees), guitar Doug Aldritch fat (Whitesnake, God), the low Marco Mendoza (Whitesnake, Thin Lizzy) and drummer Virgil Donati (Steve Vai, Soul Sirkus, Planet X).
The quiet "I Feel Fine" (from the single "I Feel Fine / She 's A Woman" in 1964) is with great joy of our ears earthquake by John Bush (voice of Anthrax), Stephen Carpenter (Deftones), Mike Inez ( bassist for Ozzy Osbourne and Alice In Chains) and John Tempesta (The Cult's drummer and Testament), becoming a piece punkeggiante very atomic!
The beautiful "Taxman" (from "Revolver") in my opinion it is very successful well because of the particular voice of Doug Pinnick of Kings X, because the music department is great: even Toto's Steve Lukather on guitar, Tony Levin of Peter Gabriel and John Lennon on bass and Steve Ferrone of Tom Petty and Eric Clapton to the battery ! But this criticism is due to a very subjective personal opinion, and beautiful cover!
In my opinion, however, the most successful cover of the disc is "I Saw Her Standing There" (from the debut album of the Beatles "Please Please Me" in 1963): A tornado rock 'n' roll to the work of people who knows the way! I'm talking about John Corabi (former singer of Motley Crue and The Scream, now in the militant Union) ispiratissimo, a Phil Campbell (guitarist of Motorhead) "what I tell you to do," a CC Deville overflowing (guitarist of Poison), a Chris Chaney is a metronome (bassist of Jane's Addiction) and Kenny Aronoff possessed (drummer Bon Jovi and Smashing Pumpkins)! Orgasmic!
Tim Owens (former Judas Priest, ex Iced Earth, now solo), George Lynch (Dokken and Lynch Mob guitar), Bob Kulick, Tim Bogart (bass player for Vanilla Fudge and Beck, Bogert & Appice) and Chris Slade ( drummer in the AC / DC) we offer the best in the shorter version and the vocals 'judaspriestiane' of "Hey Jude" (the single "Hey Jude / Revolution").
In closing, we find a spectacular "Drive My Car" (from "Rubber Soul" in 1965) signed Kip Winger (Winger), Bruce Kulick (guitarist of Kiss and Grand Funk), Tony Franklin (bass player for Whitesnake and The Firm) and Aynsley Dunbar (Whitesnake and Journey drummer in) that will make you move your ass worse than the original! Closing with a bang!
Usually I do not like taxes because they often are-ironically-an end in themselves, but here the situation is different: the music coverizzata is among the best, if not THE best, the artists involved are top of the top and the result is simply to praise (of course, would welcome a cover of "Helter Skelter" or "Eleanor Rigby", but ok, ...).
If the Beatles were born today, probably some of the cuts would be so, trust me.
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